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The Project Gutenberg EBook of The Tale of Lal, by Raymond Paton This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Tale of Lal A Fantasy Author: Raymond Paton Release Date: October 10, 2008 [EBook #26869] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TALE OF LAL *** Produced by Al Haines THE TALE OF LAL _A FANTASY_ BY RAYMOND PATON AUTHOR OF "THE DRUMMER OF THE DAWN" BRENTANO'S CHAPMAN & HALL LTD. NEW YORK LONDON 1914 AN EXPLANATION AND AN APOLOGY Upon behalf of Ridgwell and Christine the author has been urged to explain that three things--facts, common-sense, and probability--have of necessity been throughout entirely omitted in relating this story. The children, however, have comforted the author by declaring that these particular things are not required at all in any book of the present day, but are merely an old-fashioned survival of the past, which is gradually dying out. One of the sole remaining examples we possess of fact, common-sense, and probability being the celebration of the 5th of November, which has somehow become a day of national thanksgiving, and is without doubt one of the most important dates in the calendar, and very dear to the hearts of the English people. A PREFACE The aspect of Trafalgar Square, like everything else in the world, depends largely upon how it is viewed, and through whose eyes it is seen. A Japanese artist, for instance, visiting London, immediately selected Trafalgar Square seen by night-time as a subject for a picture. He thoughtfully omitted any suggestion of either omnibuses, taxi-cabs, or the populace. He likewise decided that all the statues were most unpicturesque, and the varied and flashing electric advertisements to be seen hung up on high around the Square were not only hideous but impossible. Consequently this imaginative being flung upon his canvas a mysterious blue space, void of anything save the brilliantly coloured lanterns of his own land, swung upon bamboo poles, trembling in the darkness at picturesquely convenient distances. The effect was quite beautiful, but of course it could not in
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