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The Project Gutenberg eBook, A Tall Ship, by Sir Lewis Anselm da Costa Ritchie This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Tall Ship On Other Naval Occasions Author: Sir Lewis Anselm da Costa Ritchie Release Date: June 10, 2008 [eBook #25749] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK A TALL SHIP*** E-text prepared by Al Haines Transcriber's note: "Bartimeus" is the pseudonym of Captain Lewis Ritchie, R.N. A TALL SHIP On Other Naval Occasions by "BARTIMEUS" Author of "Naval Occasions" . . . "All I ask is a tall ship and a star to steer her by, * * * And a laughing yarn from a merry fellow rover, And a quiet sleep and a sweet dream when the long trick's over." JOHN MASEFIELD Cassell and Company, Ltd London, New York, Toronto and Melbourne First published September 1915. Reprinted September and October 1915. To H. M. S. PREFACE It is almost superfluous to observe that the following sketches contain no attempt at the portrait of an individual. The majority are etched in with the ink of pure imagination. A few are "composite" sketches of a large number of originals with whom the Author has been shipmates in the past and whose friendship he is grateful to remember. Of these, some, alas! have finished "the long trick." To them, at no risk of breaking their quiet sleep--_Ave atque vale_. "Crab-Pots," "The Day," and "Chummy-Ships" appeared originally in _Blackwood's Magazine_, and are reproduced here by kind permission of the Editor. CONTENTS 1. CRAB-POTS 2. THE DRUM 3. A CAPTAIN'S FORENOON 4. THE SEVEN-BELL BOAT 5. THE KING'S PARDON 6. AN OFF-SHORE WIND 7. THE DAY 8. THE MUMMERS 9. CHUMMY-SHIPS 10. THE HIGHER CLAIM A TALL SHIP I CRAB-POTS 1 In moments of crisis the disciplined human mind works as a thing detached, refusing to be hurried or flustered by outward circumstance. Time and its artificial divisions it does not acknowledge. It is concerned with preposterous details and with the ludicrous, and it is acutely solicitous of ot
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