charged with more
or less of the nerve fluid, so the writing is stronger or weaker, firmer
or feebler, as the case may be.
"This goes to show the important influence which the nerve current
exerts in fashioning the handwriting. Small wonder that our handwriting
alters day by day. Yet it does not alter either. So far as its general
appearance is concerned I grant it _seems_ to do so. But look at the
really significant points of the writing written at different times.
Give a glance at the height at which the '_i_' is dotted, the way in
which the '_t_' is barred, the manner in which the letters are, or are
not, connected and finished off. These things will crop up with unerring
uniformity time after time.
"You do, of course, get a studied handwriting now and then, just as you
sometimes meet with a formed facial expression. But that does not
express the true character, simply because the control over the feelings
or the power of disguising what is felt is a salient point in the
character; and this very fact will serve to show that there is truth in
graphology.
"That the pen, whether it be a fine or a broad pointed nib, plays a
certain part in determining the thickness or thinness of the strokes, I
am willing to allow, but here again we have no argument against
graphology, for most people have their favourite nib--just as they
prefer one occupation to another--and this is the one which will best
serve to define their characteristics. The same with the surface of the
paper upon which they write; some will select a smooth, others a rough
kind, but whatever that may be which is adopted with comfort, it will be
typical of the writer."
The following are some of the more marked signs of the character they
indicate. For a fuller exposition of their application it would be well
to study the work of Foli, before mentioned, and of Rosa Baughan (Upcott
Gill, London, 2_s._ 6_d._), with the scholarly work of J.
Crepieux-Jainin, entitled, "Handwriting and Expression," translated by
J. Holt Schooling.
* * * * *
_General Characteristic._--The fineness of an organism will be revealed
by a fine light penstroke. Coarse, low natures make heavy blurred
entangled lines.
_Activity_ is denoted by the length of the letters. Where it is feeble
the letters will be widely spaced and rounded.
_Excitability_ is shown by sharp strokes and stops. The more acute and
irregular the pen-strokes the greater the
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