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rected my steps westward along Boyne Street until I came to the Art Museum, where a loan exhibition was being held. I entered, bought a catalogue, and presently found myself standing before number 103, designated as a portrait of Mrs. Hambleton Durrett,--painted in Paris the autumn before by a Polish artist then much in vogue, Stanislaus Czesky. Nancy--was it Nancy?--was standing facing me, tall, superb in the maturity of her beauty, with one hand resting on an antique table, a smile upon her lips, a gentle mockery in her eyes as though laughing at the world she adorned. With the smile and the mockery--somehow significant, too, of an achieved inaccessibility--went the sheen of her clinging gown and the glint of the heavy pearls drooping from her high throat to her waist. These caught the eye, but failed at length to hold it, for even as I looked the smile faded, the mockery turned to wistfulness. So I thought, and looked again--to see the wistfulness: the smile had gone, the pearls seemed heavier. Was it a trick of the artist? had he seen what I saw, or thought I saw? or was it that imagination which by now I might have learned to suspect and distrust. Wild longings took possession of me, for the portrait had seemed to emphasize at once how distant now she was from me, and yet how near! I wanted to put that nearness to the test. Had she really changed? did anyone really change? and had I not been a fool to accept the presentment she had given me? I remembered those moments when our glances had met as across barriers in flashes of understanding. After all, the barriers were mere relics of the superstition of the past. What if I went to her now? I felt that I needed her as I never had needed anyone in all my life.... I was aroused by the sound of lowered voices beside me. "That's Mrs. Hambleton Durrett," I heard a woman say. "Isn't she beautiful?" The note of envy struck me sharply--horribly. Without waiting to listen to the comment of her companion I hurried out of the building into the cold, white sunlight that threw into bold relief the mediocre houses of the street. Here was everyday life, but the portrait had suggested that which might have been--might be yet. What did I mean by this? I didn't know, I didn't care to define it,--a renewal of her friendship, of our intimacy. My being cried out for it, and in the world in which I lived we took what we wanted--why not this? And yet for an instant I stood on the sidew
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