nts, and so the chorus became with him more or less of
a formula; but we may also note that even when he was most mechanical
the mere furious speed at which he wrote seemed to excite and exalt
him, so that if he began with a commonplace "Let their celestial
concerts all unite," before the end he was pouring forth glorious and
living stuff like the last twenty-seven bars. So the pace at which he
had to write in the intervals of bullying or coaxing prima donnas or
still more petulant male sopranos was not wholly a misfortune; if it
sometimes compelled him to set down mere musical arithmetic, or
rubbish like "Honour and arms," and "Go, baffled coward," it sometimes
drew his grandest music out of him. The dramatic oratorio is a hybrid
form of art--one might almost say a bastard form; it had only about
thirty years of life; but in those thirty years Handel accomplished
wonderful things with it. And the wonder of them makes Handel appear
the more astonishing man; for, when all is said, the truth is that the
man was greater, infinitely greater, than his music.
HAYDN AND HIS "CREATION"
It is a fact never to be forgotten, in hearing good papa Haydn's
music, that he lived in the fine old world when stately men and women
went through life in the grand manner with a languid pulse, when the
earth and the days were alike empty, and hurry to get finished and
proceed to the next thing was almost unknown, and elbowing of rivals
to get on almost unnecessary. For fifty years he worked away
contentedly as bandmaster to Prince Esterhazy, composing the due
amount of music, conducting the due number of concerts, taking his
salary of some seventy odd pounds per annum thankfully, and putting on
his uniform for special State occasions with as little grumbling as
possible, all as a good bandmaster should. He had gone through a short
period of roughing it in his youth, and he had made one or two
mistakes as he settled down. He married a woman who worked with
enthusiasm to render his early life intolerable, and begged him in his
old age to buy a certain cottage, as it would suit her admirably when
she became a widow. But he consoled himself as men do in the
circumstances, and did not allow his mistakes to poison all his life,
or cause him any special worry. His other troubles were not very
serious. A Music Society which he wished to join tried to trap him
into an agreement to write important compositions for it whenever they
were wanted
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