ek: ion] and
other diminutive terms are almost always the terms of affection and
tenderness. These diminutives were commonly added by the Greeks to the
names of persons with whom they conversed on terms of friendship and
familiarity. Though the Romans were a people of less quick and delicate
feelings, yet they naturally slid into the lessening termination upon
the same occasions. Anciently, in the English language, the diminishing
_ling_ was added to the names of persons and things that were the
objects of love. Some we retain still, as _darling_ (or little dear),
and a few others. But to this day, in ordinary conversation, it is usual
to add the endearing name of _little_ to everything we love; the French
and Italians make use of these affectionate diminutives even more than
we. In the animal creation, out of our own species, it is the small we
are inclined to be fond of; little birds, and some of the smaller kinds
of beasts. A great beautiful thing is a manner of expression scarcely
ever used; but that of a great ugly thing is very common. There is a
wide difference between admiration and love. The sublime, which is the
cause of the former, always dwells on great objects, and terrible; the
latter on small ones, and pleasing; we submit to what we admire, but we
love what submits to us; in one case we are forced, in the other we are
flattered, into compliance. In short, the ideas of the sublime and the
beautiful stand on foundations so different, that it is hard, I had
almost said impossible, to think of reconciling them in the same
subject, without considerably lessening the effect of the one or the
other upon the passions. So that, attending to their quantity, beautiful
objects are comparatively small.

SECTION XIV.

SMOOTHNESS.

The next property constantly observable in such objects is
_smoothness_;[24] a quality so essential to beauty, that I do not now
recollect anything beautiful that is not smooth. In trees and flowers,
smooth leaves are beautiful; smooth slopes of earth in gardens; smooth
streams in the landscape; smooth coats of birds and beasts in animal
beauties; in fine women, smooth skins; and in several sorts of
ornamental furniture, smooth and polished surfaces. A very considerable
part of the effect of beauty is owing to this quality; indeed the most
considerable. For, take any beautiful object, and give it a broken, and
rugged surface; and, however well formed it may be in other respects, it
plea