Boston Museum of Fine Arts.
13. _The Milkmaid_, painted in 1871 from a sketch made in Greville.
Seen in Millet's studio in 1873 by Will Low, the American artist.
14. _The Woman Churning_, one of several versions of the subject, the
first of which appeared in 1870.
15. _The Man with the Hoe_, painted in 1862 and exhibited at the Salon
of 1863. Sold to a Belgian collector, and long in Brussels. It is now
owned by Mr. W.S. Crocker of San Francisco, Cal.
[Footnote 1: See D.C. Thomson's _Barbizon School_, pp. 226, 227.]
[Footnote 2: See Julia Cartwright, _Life and Letters of Jean Francois
Millet_, pp. 114,115.]
[Footnote 3: This is one of an interesting collection of drawings in
this museum, which also contains several original paintings by Millet,
a Shepherdess, seated, a portrait of the painter, and others. Other
fine Millets are in the private collections of Boston, where the
painter received early appreciation, owing to the enthusiasm of
William Morris Hunt, the painter, and such connoisseurs as Mr. Quincy
Shaw and Mr. Brimmer.]
IV. OUTLINE TABLE OF THE PRINCIPAL EVENTS IN MILLET'S LIFE
1814. Millet born, October 4, in hamlet of Gruchy, commune of Greville, in
the old province of Normandy, France.
1832. Two months' study with Mouchel in Cherbourg.
Death of Millet's father.
Study with Langlois in Cherbourg.
1837. Removal to Paris, supported by annuity of 400 francs from the
municipality of Cherbourg.[1]
1837-1839 (?). Studies with Delaroche.[2]
1840. A portrait of M.L.F. exhibited at Salon of the Louvre.
1841. Portrait of Mademoiselle Antoinette Feuardent.
Marriage with Mademoiselle Pauline Virginie Ono in Cherbourg.
1842. Returned to Paris.
1844. Millet exhibited at Salon: the Milkmaid, the Riding Lesson.
Death of Millet's wife, April 21, and Millet's return home for
18 months.
1845. Marriage with Catherine Lemaire late in summer, in Greville.
Visit in Havre in November.
Arrival in Paris in December, and residence in the rue
Rochehouart.
1847. Oedipus taken from the Tree exhibited at the Salon.
1848. Millet exhibited at the Salon the Winnower, bought by M.
Ledru-Rollin for 500 francs, and the Captivity of the Jews in
Babylon.
1849. Removal to Barbizon.
1850. The Sower painted and exhibited at the Salon with the Sheaf Binders.
1851
|