nd is one of more than ordinary interest to us, I do not hesitate to
transcribe it in full so far as it relates to our artist. Well, what we
read in the Wiener Theaterzeitung of August 20, 1829, is this:--
[Chopin] surprised people, because they discovered in him not
only a fine, but a really very eminent talent; on account of
the originality of his playing and compositions one might
almost attribute to him already some genius, at least, in so
far as unconventional forms and pronounced individuality are
concerned. His playing, like his compositions--of which we
heard on this occasion only variations--has a certain
character of modesty which seems to indicate that to shine is
not the aim of this young man, although his execution
conquered difficulties the overcoming of which even here, in
the home of pianoforte virtuosos, could not fail to cause
astonishment; nay, with almost ironical naivete he takes it
into his head to entertain a large audience with music as
music. And lo, he succeeded in this. The unprejudiced public
rewarded him with lavish applause. His touch, although neat
and sure, has little of that brilliance by which our
virtuosos announce themselves as such in the first bars; he
emphasised but little, like one conversing in a company of
clever people, not with that rhetorical aplomb which is
considered by virtuosos as indispensable. He plays very
quietly, without the daring elan which generally at once
distinguishes the artist from the amateur. Nevertheless, our
fine-feeling and acute-judging public recognised at once in
this youth, who is a stranger and as yet unknown to fame, a
true artist; and this evening afforded the unprejudiced
observer the pleasing spectacle of a public which, considered
as a moral person, showed itself a true connoisseur and a
virtuoso in the comprehension and appreciation of an artistic
performance which, in no wise grandiose, was nevertheless
gratifying.
There were defects noticeable in the young man's playing,
among which are perhaps especially to be mentioned the non-
observance of the indication by accent of the commencement of
musical phrases. Nevertheless, he was recognised as an artist
of whom the best may be expected as soon as he has heard
more....As in his playing he was like a beautiful young tree
that stands free and full of fragrant blossoms and ripening
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