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you've got the railway brought nearer, and when I got out at Kangaroo Flat there was a most extraordinary thing--Then, I knew why the voice inside had been urging me on so quickly.' 'An extraordinary thing--? What was it?' he said in the same breathless, broken way. 'It was Mr Ninnis. He was there, standing on the platform just off his droving trip--he was going to take the next train to Leuraville. If I had stayed there as Captain Halliwell wanted me to, I should have missed him. He'd got a letter from Moongarr Bill--Oh, I know all about that. But it doesn't matter--it doesn't matter in the least. You can go if you like and find the gold--I'll stop at Joan Gildea's cottage in Leichardt's Town and wait for you--I don't care about ANYTHING if you'll only let me be your Mate again. But Colin--' she rushed on, for he could not speak, and the sight of a great man struggling with his tears is one that a woman who loves him can scarcely bear to see. And yet the sight made Bridget happy for all its pain--'Colin, when I first saw Ninnis, do you know what I thought--? That you had sent him to meet me. That you, too, had been warned in a dream?' 'No, I wish I had been--My God, I wish I had been.' 'What would you have done, Colin?' 'I'd have been there myself,' he said simply. 'It would have been me, not Ninnis, that you saw at Kangaroo Flat Station.' She held out her arms. The roll of bark dropped on the boards of the veranda. In a moment he was pressing her fiercely to his breast, and his lips were on hers. And in that kiss, by the divine alchemy of true wedded love, all the past pride and bitterness were transmuted into a great abiding Peace. End of Project Gutenberg's Lady Bridget in the Never-Never Land, by Rosa Praed *** END OF THIS PROJECT GUTENBERG EBOOK LADY BRIDGET--NEVER-NEVER LAND *** ***** This file should be named 4051.txt or 4051.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/0/5/4051/ Produced by Col Choat. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General
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