(_Fl. a 2_ in the low
register).

_Flute_ (double tonguing): _Pan Voyevoda_ [[72]]; _Sheherazade_,
4th movement, after [[V]]; No. 38. _Ivan the Terrible_, Act III,
after [[10]].

3. _Bass flute_: No. 39. _Legend of Kitesh_ [[44]].

4. _Oboe_: No. 40. _Sheherazade_, 2nd movement [[A]]; _The May
Night_, Act III [[Kk]]; No. 41. _Snegourotchka_ [[50]];
_Snegourotchka_ [[112]], [[239]]; _The Tsar's Bride_ [[108]] (cf. Ex.
284), No. 42 and 43. _The Golden Cockerel_ [[57]] and [[97]].

5. _Eng. horn: Snegourotchka_ [[97]], [[283]] (cf. Ex. 26); No. 44.
_Spanish Capriccio_ [[E]]; No. 45. _The Golden Cockerel_ [[61]].

6. _Small Clarinet_: No. 46. _Mlada_, Act II [[33]]; _Mlada_, Act III
[[37]].

7. _Clarinet: Serbian Fantasia_ [[G]]; _Spanish Capriccio_ [[A]];
_Snegourotchka_ [[90]], [[99]], [[224]], [[227]], [[231]] (cf. Ex. 8);
_The May Night_, Act I, before [[X]]; _Sheherazade_, 3rd movement
[[D]]; _A Fairy Tale_ [[M]]; _The Tsar's Bride_ [[50]], [[203]]; _The
Golden Cockerel_ [[97]] (lowest register, cf. Ex. 43).

8. _Bass clarinet_: No. 47 and 48. _Snegourotchka_ [[243]] and
[[246-247]].

9. _Bassoon: Antar_ [[59]]; No. 49. _Vera Scheloga_ [[36]];
_Sheherazade_, 2nd movement, beginning (cf. Ex. 40); No. 50. _The
Golden Cockerel_ [[249]]; No. 51. _Mlada_, Act III, after [[29]]; cf.
also Ex. 78.

10. _Double bassoon: Legend of Kitesh_, before [[84]], [[289]]; cf.
also Ex. 10 (D. bassoon + D. bass solo).

The normal order of wood-wind instruments and that which produces the
most natural resonance is the following: _Flutes_, _Oboes_,
_Clarinets_, _Bassoons_ (the order used in orchestral full scores).
Departure from this natural order, e.g. placing bassoons above
clarinets and oboes, or flutes below oboes and clarinets, and
especially below the bassoons, creates a far-fetched, unnatural tone,
useful, however, in certain cases to attain certain special effects. I
do not advise the student to make too free a use of this proceeding.

Combination in unison.

The combination of two different wood-wind instruments in unison
yields the following tone qualities:

a) _Flute + Oboe._ A quality fuller than that of the flute, sweeter
than that of the oboe. Played softly, the flute will predominate in
the low, the oboe in the upper register. Example: No. 52.
_Snegourotchka_ [[113]].

b) _Flute + Clarinet._ A quality fuller than that of the flute, duller
than that of the clarinet. The flute will predominate in the lower