FREE BOOKS

Author's List




PREV.   NEXT  
|<   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165  
166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   >>   >|  
o were there for the fault of those who remained away. However, during the week's engagement of which I have been speaking, I had two nights in the ballet, then again I was cast for an important part. It was a white-letter day for me, professionally, for, thanks to Mr. Davenport, I learned for the first time the immense value of "business" alone, an action unsustained perhaps by a single word. I am not positive, but I believe the play was "A Soldier of Fortune" or "The Lion of St. Mark"--anyway it was a romantic drama. My part was not very long, but it had one most important scene with the hero. It was one of those parts that are talked about so much during the play that they gain a sort of fictitious value. At rehearsal I could not help noticing how fixedly Mr. Davenport kept gazing at me. His frown grew deeper and deeper as I read my lines, and I was growing most desperately frightened, when he suddenly exclaimed: "Wait a minute!" I stopped; he went on roughly, still staring hard at me, "I don't know whether you are worth breaking a vow for or not." Naturally I had nothing to say. He walked up the stage; as he came down, he said: "I've kept that promise for ten years, but you seem such an honest little soul about your work--I've a good mind, yes, I have a mind----" He sat down on the edge of the prompt-table, and though he addressed himself seemingly to me alone, the whole company were listening attentively. "When I first started out starring I honestly believed I had a mission to teach other less experienced actors how to act. I had made a close study of the plays I was to present, as well as of my own especial parts in them, and I actually thought it was my duty to impart my knowledge to those actors who were strange in them. Yes, that's the kind of a fool I was. I used to explain and describe, and show how, and work and sweat, and for my pains I received behind my back curses for keeping them so long at rehearsals, and before my face stolid indifference or a thinly veiled implication that I was grossly insulting them by my minute directions. Both myself and my voice were pretty well used up before I realized that my work had been wasted, my good intentions damned, that I had not been the leaven that could lighten the lump of stupid self-satisfaction we call the 'profession'; and I took solemn oath to myself never again to volunteer any advice, any suggestion, any hint as to reading, or business, or make-up
PREV.   NEXT  
|<   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165  
166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   >>   >|  



Top keywords:

deeper

 

actors

 
minute
 

business

 

important

 
Davenport
 

prompt

 
honestly
 
believed
 

started


thought
 

especial

 

starring

 

present

 

seemingly

 

experienced

 

company

 

listening

 

attentively

 
mission

addressed
 

lighten

 

stupid

 
satisfaction
 
leaven
 

damned

 

pretty

 
realized
 

wasted

 

intentions


suggestion
 

advice

 

reading

 
volunteer
 

profession

 

solemn

 

directions

 

describe

 

received

 
explain

knowledge

 
impart
 

strange

 
veiled
 
thinly
 

implication

 
grossly
 

insulting

 

indifference

 
stolid