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d and its vanities. Yet these reverses made little impression on Spain. The sounds of war died away before they reached the foot of the Pyrenees. Spain, it is true, sent forth her sons, from time to time, to serve under the banners of Charles; and it was in that school that was perfected the admirable system of discipline and tactics which, begun by the Great Captain, made the Spanish infantry the most redoubtable in Europe. But the great body of the people felt little interest in the success of these distant enterprises, where success brought them no good. Not that the mind of Spain was inactive, or oppressed with the lethargy which stole over it in a later age. There was, on the contrary, great intellectual activity. She was excluded, by an arbitrary government, from pushing her speculations in the regions of theological or political science. But this, to a considerable extent, was the case with most of the neighboring nations; and she indemnified herself for this exclusion by a more diligent cultivation of elegant literature. The constellation of genius had already begun to show itself above the horizon, which was to shed a glory over the meridian and the close of Philip's reign. The courtly poets in the reign of his father had confessed the influence of Italian models, derived through the recent territorial acquisitions in Italy. But the national taste was again asserting its supremacy; and the fashionable tone of composition was becoming more and more accommodated to the old Castilian standard. It would be impossible that any departure from a national standard should be long tolerated in Spain, where the language, the manners, the dress, the usages of the country, were much the same as they had been for generations,--as they continued to be for generations, long after Cervantes held up the mirror of fiction, to reflect the traits of the national existence more vividly than is permitted to the page of the chronicler. In the rude _romances_ of the fourteenth and the fifteenth century, the Castilian of the sixteenth might see his way of life depicted with tolerable accuracy. The amorous cavalier still thrummed his guitar, by moonlight, under the balcony of his mistress, or wore her favors at the Moorish tilt of reeds. The common people still sung their lively _seguidillas_, or crowded to the _fiestas de toros_,--the cruel bull-fights,--or to the more cruel _autos da fe_. This last spectacle, of comparatively recen
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