FREE BOOKS

Author's List




PREV.   NEXT  
|<   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164  
165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   >>   >|  
mons; but the fair ladies, invulnerable to all such criticisms, were not to be deterred from indulging their pet follies. One of the first references to the prevailing style was that made by John de Meun in his poem called the _Codical_: "If I dare say it without making them [that is, the ladies] angry, I should _dispraise_ their hosing, their vesture, their girding, their head-dresses, their hoods thrown back with their _horns_ elevated and brought forward, as if it were to wound us. I know not whether they call them _gallowses_ or _brackets_, that prop up the horns which they think are so handsome; but of this I am certain, that Saint Elizabeth obtained not Paradise by the wearing of such trumpery." But this style of hair dress was not made by the hair after all, but by the wimple, which was raised on either side of the head and supported by a frame or by pins. John de Meun flourished at the beginning of the fourteenth century, and had he lived in the fifteenth, when the horned headdress _par excellence_, made up of prongs of hair protruding forward from the forehead, was in vogue, he would have been still more aghast. These horns were carefully constructed with the aid of rolls of linen. Sometimes they had two long wings on either side, and received the name of "butterflies." The high, pointed cap which was worn was covered with a piece of fine lawn, which hung to the ground, and the greater part of which was tucked under the wearer's arm. By a writer of the day we are told that the ladies of the middle rank wore caps of cloth which consisted of several breadths or bands twisted round the head, with two wings on each side "like asses' ears." As one wanders through the mazes of description of the hair dress of the period, he is prepared to agree with the author to whom we have just referred, that "it is no easy matter to give a proper description in writing of the different fashions in the dresses of the ladies"; and so we shall submit the case in terms of still another writer's description; Philip Stubbs says: "Then followeth the trimming and tricking of their heads, in laying out their hair to the show; which, of force, must be curled, frizzled, and crisped, laid out in wreaths and borders, and from one ear to another; and, lest it should fall down, it is underpropped with forkes, wires, and I cannot tell what; then, on the edges of their bolstered hair, for it standeth crested round about their frontiers, and hangi
PREV.   NEXT  
|<   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164  
165   166   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   >>   >|  



Top keywords:

ladies

 

description

 

writer

 

forward

 

dresses

 

breadths

 

twisted

 

standeth

 
period
 

wanders


consisted
 

bolstered

 

tucked

 
wearer
 

greater

 
ground
 
frontiers
 

crested

 

prepared

 

middle


followeth

 

trimming

 
tricking
 

Stubbs

 
Philip
 

crisped

 

curled

 

borders

 
laying
 

wreaths


referred

 

matter

 

frizzled

 

author

 

proper

 

forkes

 

submit

 

underpropped

 
writing
 
fashions

forehead

 

brought

 

elevated

 

vesture

 

girding

 

thrown

 

handsome

 

gallowses

 

brackets

 

hosing