FREE BOOKS

Author's List




PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   >>   >|  
he various feasts of the year and the bridal occasions were celebrated with great festivity, and it was the custom for each guest to contribute one or more dishes. "Sham" is the keynote to an understanding of Elizabethan society; the Virgin Queen herself, with all her undoubted worth and abilities, was the embodiment of the vanity and pretence of her age. Young unmarried women loved "to show coyness in gestures, mince in words and speeches, gingerliness in tripping on toes like young goats, demure nicety and babyishness," and when they went out, they had silk scarfs "cast about their faces, fluttering in the wind, or riding in their velvet visors, with two holes cut for the eyes." The visors here mentioned bring to mind Hamlet's "God hath given you one face, and you make yourself another; you jig, you amble, you lisp, you nickname God's creatures, and make your wantonness your ignorance." The general use of masks in public places toward the close of Elizabeth's reign did not improve the moral status of the higher classes. The pretentiousness and the superficiality of the times are laid bare by Harrington, the favorite godson of the queen, whose arraignment is in unsparing terms: "We go brave in apparel that we may be taken for better men than we be; we use much bombastings and quiltings to seem better framed, better shouldered, smaller waisted, and fuller thighed than we are; we barb and shave oft to seem younger than we are; we use perfumes, both inward and outward, to seem sweeter, wear corked shoes to seem taller, use courteous salutations to seem kinder, lowly obeisance to seem humbler, and grave and godly communication to seem wiser and devouter than we be." The dress of the women of the Elizabethan era shows the same extravagance that is apparent in all the exaggerated social phases of the time. Philip Stubbs, who wrote at the close of the sixteenth century a book entitled _The Anatomy of Abuses_, appears to have been a choleric and gloomy observer of current manners, but, with due allowance for the spirit in which he writes, a very clear picture can be gotten of the style and excesses of dress of the several classes of society. He affirms that no people in the world were so hungry after new-fangled styles as were those of his country. After having dilated on the large amounts spent for dress, he digresses in order to moralize, and adds that the fashionable attire of the day is unsuited to the actual needs of
PREV.   NEXT  
|<   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192  
193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   >>   >|  



Top keywords:

classes

 

society

 
visors
 
Elizabethan
 

social

 
phases
 

Philip

 
communication
 
exaggerated
 

humbler


apparent
 
devouter
 

extravagance

 

outward

 
waisted
 

smaller

 
fuller
 

thighed

 

shouldered

 

framed


bombastings

 

quiltings

 

younger

 

taller

 

courteous

 

salutations

 

kinder

 

corked

 
perfumes
 

Stubbs


sweeter

 
obeisance
 

appears

 

styles

 

country

 

fangled

 

people

 

hungry

 

dilated

 

attire


fashionable

 

unsuited

 

actual

 

moralize

 

amounts

 
digresses
 
affirms
 

choleric

 

gloomy

 

current