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The Project Gutenberg eBook, The Fifth String, by John Philip Sousa, Illustrated by Howard Chandler Christy This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Fifth String Author: John Philip Sousa Release Date: July 22, 2009 [eBook #29481] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE FIFTH STRING*** E-text prepared by Barbara Tozier, Bill Tozier, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 29481-h.htm or 29481-h.zip: (http://www.gutenberg.org/files/29481/29481-h/29481-h.htm) or (http://www.gutenberg.org/files/29481/29481-h.zip) [Illustration] THE FIFTH STRING by JOHN PHILIP SOUSA The Illustrations by Howard Chandler Christy Indianapolis The Bowen-Merrill Company Publishers Copyright 1902 The Bowen-Merrill Company Press of Braunworth & Co. Bookbinders and Printers Brooklyn, N. Y. _The Fifth String_ I The coming of Diotti to America had awakened more than usual interest in the man and his work. His marvelous success as violinist in the leading capitals of Europe, together with many brilliant contributions to the literature of his instrument, had long been favorably commented on by the critics of the old world. Many stories of his struggles and his triumphs had found their way across the ocean and had been read and re-read with interest. Therefore, when Mr. Henry Perkins, the well-known impresario, announced with an air of conscious pride and pardonable enthusiasm that he had secured Diotti for a "limited" number of concerts, Perkins' friends assured that wide-awake gentleman that his foresight amounted to positive genius, and they predicted an unparalleled success for his star. On account of his wonderful ability as player, Diotti was a favorite at half the courts of Europe, and the astute Perkins enlarged upon this fact without regard for the feelings of the courts or the violinist. On the night preceding Diotti's debut in New York, he was the center of attrac
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