tti's first husband was Henri, Marquis de Caux, an equerry
to the Empress Eugenie, from whom she was separated and subsequently
divorced; and, on June 10, 1886, she married Ernesto Nicolini, the
famous tenor singer.
In appearance, Patti is still youthful, and really seems destined to
rival the celebrated French beauty, Ninon de l'Enclos, who was so
beautiful at sixty that the grandsons of the men who loved her in her
youth adored her with equal ardor. Patti's figure is still slim and
rounded, and not a wrinkle as yet is to be seen on her cheeks, or a
line about her eyes, which are as clear and bright as ever, and which,
when she speaks to you, look you straight in the face with her old
winning smile.
During her career Patti has earned upward of half a million sterling,
and the enormous sums paid to her at the present time more than double
the amounts which Jenny Lind received, and which in that day were
regarded as fabulous.
On a natural plateau, surrounded by picturesque vales, and situated in
the heart of the very wildest and most romantic part of South Wales,
between Brecon and Swansea, and at the base of the Rock of the Night,
stands the Castle of Craig-y-nos. This is the nightingale's nest. The
princely fortune which Patti has accumulated has enabled her so to
beautify and enlarge her home, that it now contains all the luxuries
which Science and Art have enabled Fortune's favorites to enjoy; and
so crowded is it with curios and valuables that it may best be
described as "the home of all Art yields or Nature can decree."
Here, in picturesque seclusion, surrounded by a unique splendor
created by her own exertions, lives this gifted and beautiful
songstress. She is the "Lady Bountiful" of the entire district,
extending many miles around the castle, over which she presides with
such hospitable grace. The number of grateful hearts she has won in
the Welsh country by her active benevolence is almost as great as is
the legion of enthusiastic admirers she has enlisted by the wonderful
beauty of her voice and the series of artistic triumphs, which have
been absolutely without parallel during the present century.
SARAH BERNHARDT
By H. S. EDWARDS
(BORN 1844)
A little girl, as Sarcey relates, once presented herself at the Paris
Conservatoire in order to pass the examination for admission. All she
knew was the fable of the "Two Pigeons," but she had no sooner recited
the lines--
"Deux pigeons s'a
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