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of them furnishing examples of a delicate diaper work, like that so admired in our more ornate Gothic buildings, such as Westminster Abbey, or Canterbury and Chichester Cathedrals, only greatly more exquisite in their design and finish. The scroll shells, a very numerous section of the class in the earlier ages, such as Maclurea, Euomphalus, Clymenia, and the great family of the ammonites, were volutes of varying proportions, but not less graceful than the ornament of similar proportions so frequently introduced into Greek and Roman architecture, and of which we have such prominent examples in the capitals of the Ionic, Corinthian, and composite orders. In what is known as the modern Ionic the spiral of the volute is not all on one plane; it is a Euomphalus: in the central volutes of the Corinthian the spiral is an open one; it is a Lituite or Gyroceras: in the ancient Ionic it is either wholly flat, as in Planorbus or the upper side of Maclurea, or slightly relieved, as in the ammonites. There is no form of the volute known to the architect which may not be found in the rocks, but there are many forms in the rocks unknown to the architect. Nor are the spire-like shells (see Fig. 105) less remarkable for the rich and varied style of their ornamentation than the whorled ones. They are spires, pinnacles, turrets, broaches; ornate, in some instances, beyond the reach of the architect, and illustrative, in almost all, of his happiest forms and proportions. We detect among the fossils the germs of numerous designs developed in almost every department of art; but merely to enumerate them would require a volume. One form of the old classic lamp was that of the nautilus; another, that of _Gyphaea incurva_; the zigzag mouldings of the Norman Gothic may be found in the carinated oysters of the Greensand; the more delicate frettings of similar form which roughened the pillars of a somewhat later age occur on Conularia and the dorsal spines of Gyracanthus. The old corals, too, abound in ornamental patterns, which man, unaware of their existence at the time, devised long after for himself. In an article on calico printing, which forms part of a recent history of Lancashire, there are a few of the patterns introduced, backed by the recommendation that they were the most successful ever tried. Of one of these, known as "Lane's Net," there sold a greater number of pieces than of any other pattern ever brought into the market. It led to m
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