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the American sense, nor is the girl a barkeeper in any sense. It is the open club of the village, where everybody is welcome who is decent and agreeable. Even the curate drops in--not for his toddy, perhaps (although "You can't generally sometimes almost always tell," as Mac said), but for a word with anybody who happens to be about. And so does the big man of the village who owns the mill, and the gardener from Lord So-and-So's estate, and the lord himself, for that matter, the groom taking his "bitter" from the side window, with one eye on his high stepper polished to a piano finish. All have a word or a good-morning or a joke with the barmaid. She isn't at all the kind of a girl you think she is. Try it some day and you'll discover your mistake. It's Miss Nance, or Miss Ellen, or whatever else her parents fancied; or Miss Figgins, or Connors, or Pugby--but it is never Nance or Nell. Our luncheon over, we joined the circle, the curate making room for Lonnegan, Mac stretching his big frame half over a settle. "From the States, gentlemen, I should judge," said the curate in a cheery tone--an athletic and Oxford-looking curate, his high white collar and high black waistcoat gripping a throat and chest that showed oars and cricket bats in every muscle. Young, too--not over forty. I returned the courtesy by pleading guilty, and in extenuation, presented my comrades to the entire room, Lonnegan's graceful body straightening to a present-arms posture as he grasped the outstretched hand of a brother athlete, and Mac's heartiness capturing every one present, including the barmaid. Then some compounded extracts were passed over the counter and the talk drifted as usual (I have never known it otherwise) into comparisons between the two "Hands Across the Sea" people. That an Englishman will ever really warm to a Frenchman or a German nobody who knows his race will believe, but he can be entirely comfortable (and the well-bred Englishman is the shyest man living) with the well-bred American. Lonnegan as chief spokesman, in answer to an inquiry, and with an assurance born of mastery of his subject instantly recognized by the listeners, enlarged on the last architectural horror, the skyscraper, its cost, and on the occupations of the myriads of human bees who were hived between its floors, all so different from the more modest office structures around the Bank of England: adding that he had the plans of two on his drawing
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