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ey're goin' to tear down the old shack an' build a fine new house in its place, an' fix up the grounds so's they're just as good as the Kenton Place." "Then your mother intends to live here always?" "Yes. She says a Cragg's place is at Cragg's Crossing, and the fambly's goin' to hold up its head ag'in, an' we're to be some punkins around here. But--I sorter hate to see the old place go, Mary Louise," turning a regretful glance at the ancient cottage from over her shoulder. "I can understand that, dear," said the other girl, thoughtfully; "but I am sure the change will be for the best. Do you know what has, become of Ned Joselyn?" "Yes; he an' Annabel Kenton--that's his wife--have gone away somewheres together; somewheres out West, Ma says. He didn't squander Ann's money, it seems; not all of it, anyhow; didn't hev time, I s'pose, he was so busy robbin' Gran'dad. Ned run away from Ann, that time he disappeared, 'cause English spies was on his tracks an' he didn't want to be took pris'ner. That was why he kep' in hidin' an' didn't let Ann know where he was. He was afraid she'd git rattled an' blab." "Oh; I think I understand. But he will have to keep in hiding always, won't he?" "I s'pose so. Ma says that'll suit _her,_ all right. Am I talkin' more decent than I used to, Mary Louise?" "You're improving every day, Ingua." "I'm tryin' to be like you, you know. Ma says I've been a little Arab, but she means to make a lady of me. I hope she will. And then--" "Well, Ingua?" "You'll come to visit me, some time, in our new house; won't you?" "I sure will, dear," promised Mary Louise. End of the Project Gutenberg EBook of Mary Louise in the Country by L. Frank Baum (AKA Edith Van Dyne) *** END OF THIS PROJECT GUTENBERG EBOOK MARY LOUISE IN THE COUNTRY *** ***** This file should be named 22225.txt or 22225.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/2/2/2/2/22225/ Produced by Michael Gray (Lost_Gamer@comcast.net) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, a
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