peas paper zat word, var' fine
word, you use him minit 'go--scatolofistico sometheengs--I wis' to larn
ze Englis' better as I spiks him.'
'Certainly; give me a pencil and paper, I'll write it down, and you'll
astonish some Englishman with it, I'll bet a hat.'
So it was written down; and if any one ever entered a shop in the
Condotti where there was a Titiano for Sal, and was 'astonished' by
hearing that word used, they may know whence it came.
Mr. Browne, after carefully examining the usual yellow marble model of
the column of Trajan, the alabaster pyramid of Caius Cestius, the verd
antique obelisks, the bronze lamps, lizards, marble _tazze_, and
paste-gems of the modern-antique factories, the ever-present Beatrice
Cenci on canvas, and the water-color costumes of Italy, made a purchase
of a Roman mosaic paper-weight, wherein there was a green parrot with a
red tail and blue legs, let in with minute particles of composition
resembling stone, and left the Brick-bat man alone with his Titiano for
Sal.
SO LONG!
Rocjean came into Caper's studio one morning, evidently having something
to communicate.
'Are you busy this morning? If not, come along with me; there is
something to be seen--something that beats the Mahmoudy Canal of the
Past, or the Suez Canal of the Present, for wholesale slaughter; for I
do assure you, on the authority of Hassel, that nine hundred and
thirty-six million four hundred and sixty-one thousand people died
before it was finished!'
'That must be a work worth looking at. Why, the Pyramids must be as
anthills to Chimborazo in comparison to it! Nine hundred and odd
millions of mortals! Why, that is about the number dying in a
generation--and these have passed away while it was being completed? It
ought to be a master-piece.'
'Can't we get a glass of wine round here?' asked Rocjean, looking at his
watch; 'it is about luncheon-time, and I have a charming little thirst.'
'Oh! yes, there is a wine-shop only three doors from here, pure Roman.
Let us go: we can stand out in the street and drink if you are afraid to
go in.'
Leaving the studio, they walked a few steps to a house that was
literally all front-door; for the entrance was the entire width of the
building, and a buffalo-team could have passed in without let. Outside
stood a wine-cart, from which they were unloading several small casks
of wine. The driver's seat had a hood over it, protecting him from the
sun, as he lazily sle
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