,
Stanhope Forbes, Stott of Oldham and in portraiture Holl (1845-1890)
and Herkomer may be mentioned.

[Footnote 19: Died 1900.]

[Illustration: FIG. 101.--WATTS. LOVE AND DEATH.]

LANDSCAPE AND MARINE PAINTERS: In the department of landscape there
are many painters in England of contemporary importance. Vicat Cole
(1833-1893) had considerable exaggerated reputation as a depicter of
sunsets and twilights; Cecil Lawson (1851-1882) gave promise of great
accomplishment, and lived long enough to do some excellent work in the
style of the French Rousseau, mingled with an influence from
Gainsborough; Alfred Parsons is a little hard and precise in his work,
but one of the best of the living men; and W. L. Wyllie is a painter
of more than average merit. In marines Hook (1819-) belongs to the
older school, and is not entirely satisfactory. The most modern and
the best sea-painter in England is Henry Moore (1831-1895), a man who
paints well and gives the large feeling of the ocean with fine color
qualities. Some other men of mark are Clausen, Brangwyn, Ouless,
Steer, Bell, Swan, McTaggart, Sir George Reid.

MODERN SCOTCH SCHOOL: There is at the present time a school of art in
Scotland that seems to have little or no affinity with the
contemporary school of England. Its painters are more akin to the
Dutch and the French, and in their coloring resemble, in depth and
quality, the work of Delacroix. Much of their art is far enough
removed from the actual appearance of nature, but it is strong in the
sentiment of color and in decorative effect. The school is represented
by such men as James Guthrie, E. A. Walton, James Hamilton, George
Henry, E. A. Hornel, Lavery, Melville, Crawhall, Roche, Lawson,
McBride, Morton, Reid Murray, Spence, Paterson.

PRINCIPAL WORKS: English art cannot be seen to advantage,
outside of England. In the Metropolitan Museum, N. Y., and
in private collections like that of Mr. William H. Fuller in
New York,[20] there are some good examples of the older
men--Reynolds, Constable, Gainsborough, and their
contemporaries. In the Louvre there are some indifferent
Constables and some good Boningtons. In England the best
collection is in the National Gallery. Next to this the
South Kensington Museum for Constable sketches. Elsewhere
the Glasgow, Edinburgh, Liverpool, Windsor galleries, and
the private collections of the late Sir Richard Wallace, the
Du