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Project Gutenberg's The Training of a Public Speaker, by Grenville Kleiser This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Training of a Public Speaker Author: Grenville Kleiser Release Date: April 28, 2006 [EBook #18277] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TRAINING OF A PUBLIC SPEAKER *** Produced by Kevin Handy, Dave Morgan, Martin Pettit and the Online Distributed Proofreading Team at http://www.pgdp.net THE TRAINING OF A PUBLIC SPEAKER BY GRENVILLE KLEISER _Formerly Instructor in Public Speaking at Yale Divinity School, Yale University. Author of_ "_How to Speak in Public_," "_Great Speeches and How to Make Them_," "_Complete Guide to Public Speaking_," "_How to Build Mental Power_," "_Talks on Talking_," _etc., etc._ [Illustration: Publisher's logo] FUNK & WAGNALLS COMPANY NEW YORK AND LONDON 1920 COPYRIGHT, 1920, BY GRENVILLE KLEISER [_Printed in the United States of America_] Published, February, 1920 Copyright Under the Articles of the Copyright Convention of the Pan-American Republics and the United States, August 11, 1910 PREFACE The power of eloquence to move and persuade men is universally recognized. To-day the public speaker plays a vital part in the solution of every great question and problem. Oratory, in the true sense, is not a lost art, but a potent means of imparting information, instruction, and persuasion. Eloquence is still "the appropriate organ of the highest personal energy." As one has well said, "The orator is not compelled to wait through long and weary years to reap the reward of his labors. His triumphs are instantaneous." And again, "To stand up before a vast assembly composed of men of the most various callings, views, passions, and prejudices, and mold them at will; to play upon their hearts and minds as a master upon the keys of a piano; to convince their understandings by the logic, and to thrill their feelings by the art of the orator; to see every eye watching his face, and every ear intent on the words that drop from his lips; to see indifference changed to breathless interest, and aversio
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