FREE BOOKS

Author's List




PREV.   NEXT  
|<   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171  
172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   >>   >|  
xxiv. (Vulg. lxxxiii.) 11.] [Footnote 2: Matt. xxvi. 73; Mark xiv. 70; _Acts_ ii. 7; Talm. of Bab., _Erubin_, 53 _a_, and following; Bereschith Rabba, 26 _c_.] [Footnote 3: Passage from the treatise _Erubin_, _loc. cit._] [Footnote 4: _Erubin_, _loc. cit._, 53 _b_.] [Footnote 5: John vii. 52.] [Footnote 6: Isa. ix. 1, 2; Matt. iv. 13, and following.] [Footnote 7: John i. 46.] The parched appearance of Nature in the neighborhood of Jerusalem must have added to the dislike Jesus had for the place. The valleys are without water; the soil arid and stony. Looking into the valley of the Dead Sea, the view is somewhat striking; elsewhere it is monotonous. The hill of Mizpeh, around which cluster the most ancient historical remembrances of Israel, alone relieves the eye. The city presented, at the time of Jesus, nearly the same form that it does now. It had scarcely any ancient monuments, for, until the time of the Asmoneans, the Jews had remained strangers to all the arts. John Hyrcanus had begun to embellish it, and Herod the Great had made it one of the most magnificent cities of the East. The Herodian constructions, by their grand character, perfection of execution, and beauty of material, may dispute superiority with the most finished works of antiquity.[1] A great number of superb tombs, of original taste, were raised at the same time in the neighborhood of Jerusalem.[2] The style of these monuments was Grecian, but appropriate to the customs of the Jews, and considerably modified in accordance with their principles. The ornamental sculptures of the human figure which the Herods had sanctioned, to the great discontent of the purists, were banished, and replaced by floral decorations. The taste of the ancient inhabitants of Phoenicia and Palestine for monoliths in solid stone seemed to be revived in these singular tombs cut in the rock, and in which Grecian orders are so strangely applied to an architecture of troglodytes. Jesus, who regarded works of art as a pompous display of vanity, viewed these monuments with displeasure.[3] His absolute spiritualism, and his settled conviction that the form of the old world was about to pass away, left him no taste except for things of the heart. [Footnote 1: Jos., _Ant._, XV. viii.-xi.; _B.J._, V. v. 6; Mark xiii. 1, 2.] [Footnote 2: Tombs, namely, of the Judges, Kings, Absalom, Zechariah, Jehoshaphat, and of St. James. Compare the description of the tomb of the
PREV.   NEXT  
|<   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168   169   170   171  
172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   >>   >|  



Top keywords:
Footnote
 

Erubin

 

ancient

 
monuments
 
neighborhood
 
Jerusalem
 

Grecian

 

singular

 

decorations

 

monoliths


Palestine
 
Phoenicia
 

inhabitants

 

revived

 

ornamental

 

customs

 

considerably

 

raised

 

original

 

antiquity


number
 

superb

 

modified

 
accordance
 

discontent

 
purists
 
banished
 

replaced

 

sanctioned

 

Herods


principles

 

sculptures

 
figure
 
floral
 

display

 
things
 

Compare

 

description

 

Jehoshaphat

 

Zechariah


Judges

 

Absalom

 
troglodytes
 

regarded

 
architecture
 
orders
 

strangely

 

applied

 
pompous
 

vanity