rved how any call upon R.P.
Burns's sympathies rode down his own need of commiseration.
"Hungarian, I think, don't you?" Burns remarked, as the meal was
finished, and the youth rose to bow his thanks once more. This time
there was a response. He nodded violently, smiling and throwing out his
hands.
"_Ungahree_!" he said, and smiled and nodded again, and said again,
"_Ungahree_!"
"He knows that word all right," said Burns, smiling back. "It's a land
of musicians. The fiddle's a good one, I'll wager."
He glanced at it as he spoke, and the boy leaped for it, pressing it to
his breast. He began to tune it.
"He thinks we want to be paid for his supper," Ellen exclaimed. "Can't
you make him understand we should like him to rest first?"
"I'd only convey to him the idea that we didn't want to hear him play,
which would be a pity, for we do. If he's the musician he looks, by
those eyes and that mouth, we'll be more than paid. Go ahead,
Hungary--it'll make you happier than anything we could do for you."
Clearly it would. Burns carried out the tray, and when he returned his
guest was standing upon the hearth rug facing Ellen, his bow uplifted.
He waited till Burns had thrown himself down on the couch again in a
sitting posture, both arms stretched along the back. Then he made his
graceful obeisance again, and drew the bow very slowly and softly over
the first string. And, at the very first note, the two who were watching
him knew what was to come. It was in every line of him, that promise.
It might have been his gratitude that he was voicing, so touching were
the strains that followed that first note. The air was unfamiliar, but
it sounded like a folk song of his own country, and he put into it all
the poignant, peculiar melody of such a song. His tones were exquisite,
with the sure touch of the trained violinist inspired and supported by
the emotional understanding of the genuine musician.
When he had finished he stood looking downward for a moment, then as
Burns said "Bravo!" he smiled as if he understood the word, and lifted
his instrument again to his shoulder. This time his bow descended upon
the strings with a full note of triumph, and he burst into the brilliant
performance of a great masterpiece, playing with a spirit and dash which
seemed to transform him. Often his lips parted to show his white teeth,
often he swung his whole body into the rhythm of his music, until he
seemed a very part of the splendi
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