uite on
his feet. Careful search had discovered a temporary place for him in a
small hotel orchestra, whose second violin was ill, and Burns agreed to
take him into the city. The evening before he was to go, Ellen invited a
number of her friends and neighbours in to hear Franz play.
Dressed in a well-fitting suit of blue serge Franz looked a new being.
The suit had been contributed by Arthur Chester, Burns's neighbour and
good friend next door upon the right, and various other accessories had
been supplied by James Macauley, also Burns's neighbour and good friend
next door upon the left and the husband of Martha Macauley, Ellen's
sister. Even so soon the rest and good food had filled out the deepest
hollows in the emaciated cheeks, and happiness had lighted the sombre
eyes. Those eyes followed Burns about with the adoring gaze of a
faithful dog.
"It's evident you've attached one more devoted follower to your train,
Red," whispered Winifred Chester, in an interval of the violin playing.
"Well, he's a devotee worth having," answered Burns, watching his
protege as Franz looked over a pile of music with Ellen, signifying his
pleasure every time they came upon familiar sheets. The two had found
common ground in their love of the most emotional of all the arts, and
Ellen had discovered rare delight in accompanying that ardent violin in
some of the scores both knew and loved.
"He's as handsome as a picture to-night, isn't he?" Winifred pursued.
"How Arthur's old blue suit transforms him. And wasn't it clever of
Ellen to have him wear that soft white shirt with the rolling collar and
flowing black tie? It gives him the real musician's look."
"Trust you women to work for dramatic effects," murmured Burns. "Here we
go--and I'll wager it'll be something particularly telling, judging by
the way they both look keyed up to it. Ellen plays like a virtuoso
herself to-night, doesn't she?"
"It's enough to inspire any one to have that fiddle at her shoulder,"
remarked James Macauley, who, hanging over the couch, had been listening
to this bit of talk.
The performance which followed captured them all, even practical and
energetic Martha Macauley, who had often avowed that she considered the
study of music a waste of time in a busy world.
"Though I think, after all," she observed to Arthur Chester, who lounged
by her side, revelling in the entertainment with the zest of the man who
would give his whole time to affairs like
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