ot, I
do not know; but I have not seen many other women who seem pretty. The
nobility, in particular, are a sad-looking race--the gentry rather better.
And now, what art _thou_ doing?
"What are you doing now,
Oh Thomas Moore?
What are you doing now,
Oh Thomas Moore?
Sighing or suing now,
Rhyming or wooing now,
Billing or cooing now,
Which, Thomas Moore?
Are you not near the Luddites? By the Lord! if there's a row, but I'll be
among ye! How go on the weavers--the breakers of frames--the Lutherans of
politics--the reformers?
"As the Liberty lads o'er the sea
Bought their freedom, and cheaply, with blood,
So we, boys, we
Will _die_ fighting, or _live_ free,
And down with all kings but King Ludd!
"When the web that we weave is complete,
And the shuttle exchanged for the sword,
We will fling the winding-sheet
O'er the despot at our feet,
And dye it deep in the gore he has pour'd.
"Though black as his heart its hue,
Since his veins are corrupted to mud,
Yet this is the dew
Which the tree shall renew
Of Liberty, planted by Ludd!
There's an amiable _chanson_ for you--all impromptu. I have written it
principally to shock your neighbour ----, who is all clergy and
loyalty--mirth and innocence--milk and water.
"But the Carnival's coming,
Oh Thomas Moore,
The Carnival's coming,
Oh Thomas Moore,
Masking and humming,
Fifing and drumming,
Guitarring and strumming,
Oh Thomas Moore.
The other night I saw a new play--and the author. The subject was the
sacrifice of Isaac. The play succeeded, and they called for the
author--according to continental custom--and he presented himself: a noble
Venetian, Mali, or Malapiero by name. Mala was his name, and _pessima_ his
production--at least, I thought so, and I ought to know, having read more
or less of five hundred Drury-lane offerings, during my coadjutorship with
the sub-and-super committee.
"When does your Poem of Poems come out? I hear that the E.R. has cut up
Coleridge's Christabel, and declared against me for praising it. I praised
it, firstly, because I thought well of it; secondly, because Coleridge was
in great distress, and, after doing what little I could for him in
essentials, I thought that the public avowal of my good opinion might help
him further, at least with the booksellers. I am very sorry that J---- has
attacked him, because, poor fellow, it
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