composed quickly, without effort,
almost off-hand; but the mind that composed it was the mind of a master,
who, even as he revelled in the joyous manifestation of his genius,
preserved, with an instinctive power, the master's control. In truth,
beneath the gay galaxies of scintillating thoughts that strew the pages,
one can discern the firm, warm, broad substance of Diderot's very self,
underlying and supporting all. That is the real subject of a book which
seems to have taken all subjects for its province--from the origin of
music to the purpose of the universe; and the central figure--the queer,
delightful, Bohemian Rameau, evoked for us with such a marvellous
distinctness--is in fact no more than the reed with many stops through
which Diderot is blowing. Of all his countrymen, he comes nearest, in
spirit and in manner, to the great Cure of Meudon. The rich, exuberant,
intoxicating tones of Rabelais vibrate in his voice. He has--not all,
for no son of man will ever again have that; but he has _some_ of
Rabelais' stupendous breadth, and he has yet more of Rabelais' enormous
optimism. His complete materialism--his disbelief in any Providence or
any immortality--instead of depressing him, seems rather to have given
fresh buoyancy to his spirit; if this life on earth were all, that only
served, in his eyes, to redouble the intensity of its value. And his
enthusiasm inspired him with a philanthropy unknown to Rabelais--an
active benevolence that never tired. For indeed he was, above all else,
a man of his own age: a man who could think subtly and work nobly as
well as write splendidly; who could weep as well as laugh. He is,
perhaps, a smaller figure than Rabelais; but he is much nearer to
ourselves. And, when we have come to the end of his generous pages, the
final impression that is left with us is of a man whom we cannot choose
but love.
Besides Diderot, the band of the _Philosophes_ included many famous
names. There was the brilliant and witty mathematician, Dalembert; there
was the grave and noble statesman, Turgot; there was the psychologist,
Condillac; there was the light, good-humoured Marmontel; there was the
penetrating and ill-fated Condorcet. Helvetius and D'Holbach plunged
boldly into ethics and metaphysics; while, a little apart, in learned
repose, Buffon advanced the purest interests of science by his
researches in Natural History. As every year passed there were new
accessions to this great array of writ
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