reat, that, owing to the incursion of the Bluff Colony
of New Yorkers, which we had been discussing, I should call this second
volume "People of the Whirlpool," because--ah, but I must wait and hunt
among my papers for his very words as I wrote them down.

My desk needs cleaning out and rearranging, for the dust flies up as I
rummage among the papers and letters that are a blending of past,
present, and future. All my pet pens are rusty, and must be replaced from
the box of stubs, for a stub pen assists one to straightforward, truthful
expression, while a fine point suggests evasion, polite equivocation, or
thin ideas. Even Lavinia Dorman's letters, whose cream-white envelopes,
with a curlicue monogram on the flap, quite cover the litter below, have
been, if possible, more satisfactory since she has adopted a fountain
stub that Evan gave her at Christmas.

There are many other things in the desk now beside the hickory-nut beads
and old papers. Little whiffs of subtle fragrance call me backward
through time faster than thought, and make me pinch myself to be sure
that I am awake, like the little old woman with the cutabout petticoats,
who was sure that if she was herself, her little dog would know her,--but
then he _didn't!_

I am awake and surely myself, yet my old dog is not near to recognize me.
This ring of rough, reddish hair, tied with a cigar ribbon and lying atop
the beads, was Bluff's best tail curl. Dear, happy, brave-hearted Bluff
with the human eyes; after an honourable life of fifteen years he stole
off to the happy hunting grounds of perpetual open season, quail and
rabbit, two years ago at beginning of winter, as quietly as he used to
slip out the back door and away to the fields on the first fall morning
that brings the hunting fever. For a long while not only I, but neither
father nor Evan could speak of him, it hurt so. Yet by a blessed
dispensation a good dog lives on in his race, and may be renewed (I
prefer that word to _replaced_) after a season, in a way in which our
best human friends may not be, so that we do not lack dogs. Lark is
senior now, and Timothy Saunders's sheep dog, The Orphan, is also a
veteran; the foxhounds are in their prime, while Martha Corkle, as we
shall always call her, is raising a promising pair of collie pups.

Beside the curl, and covering mother's diaries, lies a square white
volume, the first part of my "Experience Boke" before mentioned, and upon
it two queer fat lit