I thought it would not be amiss to move my
Diogenical tub, that you might not accuse me of living without example. I
see a swarm of our modern poets and orators, your Colinets, Marots,
Drouets, Saint Gelais, Salels, Masuels, and many more, who, having
commenced masters in Apollo's academy on Mount Parnassus, and drunk
brimmers at the Caballin fountain among the nine merry Muses, have raised
our vulgar tongue, and made it a noble and everlasting structure. Their
works are all Parian marble, alabaster, porphyry, and royal cement; they
treat of nothing but heroic deeds, mighty things, grave and difficult
matters, and this in a crimson, alamode, rhetorical style. Their writings
are all divine nectar, rich, racy, sparkling, delicate, and luscious wine.
Nor does our sex wholly engross this honour; ladies have had their share of
the glory; one of them, of the royal blood of France, whom it were a
profanation but to name here, surprises the age at once by the transcendent
and inventive genius in her writings and the admirable graces of her style.
Imitate those great examples if you can; for my part I cannot. Everyone,
you know, cannot go to Corinth. When Solomon built the temple, all could
not give gold by handfuls.
Since then 'tis not in my power to improve our architecture as much as
they, I am e'en resolved to do like Renault of Montauban: I'll wait on the
masons, set on the pot for the masons, cook for the stone-cutters; and
since it was not my good luck to be cut out for one of them, I will live
and die the admirer of their divine writings.
As for you, little envious prigs, snarling bastards, puny critics, you'll
soon have railed your last; go hang yourselves, and choose you out some
well-spread oak, under whose shade you may swing in state, to the
admiration of the gaping mob; you shall never want rope enough. While I
here solemnly protest before my Helicon, in the presence of my nine
mistresses the Muses, that if I live yet the age of a dog, eked out with
that of three crows, sound wind and limbs, like the old Hebrew captain
Moses, Xenophilus the musician, and Demonax the philosopher, by arguments
no ways impertinent, and reasons not to be disputed, I will prove, in the
teeth of a parcel of brokers and retailers of ancient rhapsodies and such
mouldy trash, that our vulgar tongue is not so mean, silly, inept, poor,
barren, and contemptible as they pretend. Nor ought I to be afraid of I
know not what botchers of
|