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The Project Gutenberg EBook of Daniel Deronda, by George Eliot This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Daniel Deronda Author: George Eliot Release Date: February 5, 2010 [EBook #7469] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DANIEL DERONDA *** Produced by Anne Soulard, Tiffany Vergon and the Online Distributed Proofreading Team. DANIEL DERONDA By George Eliot Let thy chief terror be of thine own soul: There, 'mid the throng of hurrying desires That trample on the dead to seize their spoil, Lurks vengeance, footless, irresistible As exhalations laden with slow death, And o'er the fairest troop of captured joys Breathes pallid pestilence. CONTENTS. BOOK I. THE SPOILED CHILD " II. MEETING STREAMS " III. MAIDENS CHOOSING " IV. GWENDOLEN GETS HER CHOICE " V. MORDECAI " VI. REVELATIONS " VII. THE MOTHER AND THE SON " VIII. FRUIT AND SEED DANIEL DERONDA. BOOK I.--THE SPOILED CHILD. CHAPTER I. Men can do nothing without the make-believe of a beginning. Even science, the strict measurer, is obliged to start with a make-believe unit, and must fix on a point in the stars' unceasing journey when his sidereal clock shall pretend that time is at Nought. His less accurate grandmother Poetry has always been understood to start in the middle; but on reflection it appears that her proceeding is not very different from his; since Science, too, reckons backward as well as forward, divides his unit into billions, and with his clock-finger at Nought really sets off _in medias res_. No retrospect will take us to the true beginning; and whether our prologue be in heaven or on earth, it is but a fraction of that all-presupposing fact with which our story sets out. Was she beautiful or not beautiful? and what was the secret of form or expression which gave the dynamic quality to her glance? Was the good or the evil genius dominant in those beams? Probably the evil; else why was the effect that of unrest rather than of undisturbed charm? Why was the wish to look again felt as coercion and n
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