equiring an increase. This money, money, money! But the
world will have it so. Happily I have inherited habits of business and
personal economy. Vernon is a man who would do fifty times more with a
companion appreciating his abilities and making light of his little
deficiencies. They are palpable, small enough. He has always been aware
of my wishes:--when perhaps the fulfilment might have sent me off on
another tour of the world, homebird though I am. When was it that our
friendship commenced? In my boyhood, I know. Very many years back."
"I am in my thirtieth year," said Laetitia.
Surprised and pained by a baldness resembling the deeds of ladies (they
have been known, either through absence of mind, or mania, to displace
a wig) in the deadly intimacy which slaughters poetic admiration, Sir
Willoughby punished her by deliberately reckoning that she did not look
less.
"Genius," he observed, "is unacquainted with wrinkles"; hardly one of
his prettiest speeches; but he had been wounded, and he never could
recover immediately. Coming on him in a mood of sentiment, the wound
was sharp. He could very well have calculated the lady's age. It was
the jarring clash of her brazen declaration of it upon his low rich
flute-notes that shocked him.
He glanced at the gold cathedral-clock on the mantel-piece, and
proposed a stroll on the lawn before dinner. Laetitia gathered up her
embroidery work.
"As a rule," he said, "authoresses are not needle-women."
"I shall resign the needle or the pen if it stamps me an exception,"
she replied.
He attempted a compliment on her truly exceptional character. As when
the player's finger rests in distraction on the organ, it was without
measure and disgusted his own hearing. Nevertheless, she had been so
good as to diminish his apprehension that the marriage of a lady in her
thirtieth year with his cousin Vernon would be so much of a loss to
him; hence, while parading the lawn, now and then casting an eye at the
window of the room where his Clara and Vernon were in council, the
schemes he indulged for his prospective comfort and his feelings of the
moment were in such striving harmony as that to which we hear
orchestral musicians bringing their instruments under the process
called tuning. It is not perfect, but it promises to be so soon. We are
not angels, which have their dulcimers ever on the choral pitch. We are
mortals attaining the celestial accord with effort, through a stage of
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