iance on a
woman. As a woman you will pardon her, for it is the language of your
sex. You are also denounced by Barto Rizzo, a madman--he went mad as
fire, and had to be chained at Varese. In some way or other Countess
d'Isorella got possession of him; she has managed to subdue him. A
sword-cut he received once in Verona has undoubtedly affected his brain,
or caused it to be affected under strong excitement. He is at her villa,
and she says--perhaps with some truth--that Carlo would in several ways
lose his influence by his immediate marriage with you. The reason must
have weight; otherwise he would fulfil his mother's principal request,
and be at the bidding of his own desire. There; I hope I have spoken
plainly."

Agostino puffed a sigh of relief at the conclusion of his task.

Vittoria had been too strenuously engaged in defending the steadiness of
her own eyes to notice the shadow of an assumption of frankness in his.

She said that she understood.

She got away to her room like an insect carrying a load thrice its own
size. All that she could really gather from Agostino's words was, that
she felt herself rocking in a tower, and that Violetta d'Isorella was
beautiful. She had striven hard to listen to him with her wits alone, and
her sensations subsequently revenged themselves in this fashion. The
tower rocked and struck a bell that she discovered to be her betraying
voice uttering cries of pain. She was for hours incapable of meeting
Agostino again. His delicate intuition took the harshness off the
meeting. He led her even to examine her state of mind, and to discern the
fancies from the feelings by which she was agitated. He said shrewdly and
bluntly, "You can master pain, but not doubt. If you show a sign of
unhappiness, remember that I shall know you doubt both what I have told
you, and Carlo as well."

Vittoria fenced: "But is there such a thing as happiness?"

"I should imagine so," said Agostino, touching her cheek, "and
slipperiness likewise. There's patience at any rate; only you must dig
for it. You arrive at nothing, but the eternal digging constitutes the
object gained. I recollect when I was a raw lad, full of ambition, in
love, and without a franc in my pockets, one night in Paris, I found
myself looking up at a street lamp; there was a moth in it. He couldn't
get out, so he had very little to trouble his conscience. I think he was
near happiness: he ought to have been happy. My luck was not so g