t not in a land of reason.
"Why...why!" she whispered.
"Beloved?"
"Why did you not tell me this before?"
"Do you upbraid me?"
"Oh, no! Oh, never!" she felt his hand taking hers gently. "My friend,"
she said, half in self-defence; and they, who had never kissed as lovers,
kissed under the plea of friendship.
CHAPTER XXIII
All Wilfrid's diplomacy was now brought into play to baffle Mr. Pericles,
inspire Emilia with the spirit of secresy, and carry on his engagement to
two women to their common satisfaction. Adela, whose penetration he
dreaded most, he had removed by a flattering invitation to Stornley; and
that Emilia might be occupied during his absences, and Mr. Pericles
thrown on a false scent, he persuaded Tracy Runningbrook to come to
Brookfield, and write libretti for Emilia's operas. The two would sit
down together for an hour, drawing wonderful precocious noses upon
juvenile visages, when Emilia would sigh and say: "I can't work!"--Tracy
adding, with resignation: "I never can!" At first Mr. Pericles dogged
them assiduously. After a little while he shrugged, remarking: "It is a
nonsense."
They were, however, perfectly serious about the production of an opera,
Tracy furnishing verse to Emilia's music. He wrote with extraordinary
rapidity, but clung to graphic phrases, that were not always supple
enough for nuptials with modulated notes. Then Emilia had to hit his
sense of humour by giving the words as they came in the run of the song.
"You make me crow, or I croak," she said.
"The woman follows the man, and music fits to verse," cried Tracy.
"Music's the vine, verse the tree."
Emilia meditated. "Not if they grow up together," she suggested, and
broke into a smile at his rapture of amusement; which was succeeded by a
dark perplexity, worthy of the present aspect of Mr. Pericles.
"That's what has upset us," he said. "We have been trying to 'grow up
together,' like first-cousins, and nature forbids the banns. To-morrow
you shall have half a libretto. And then, really, my child, you must
adapt yourself to the words."
"I will," Emilia promised; "only, not if they're like iron to the teeth."
"My belief is," said Tracy savagely, "that music's a fashion, and as
delusive a growth as Cobbett's potatoes, which will go back to the deadly
nightshade, just as music will go back to the tom-tom."
"What have you called out when I sang to you!" Emilia reproached him for
this irreverent nonsense.
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