lists--falsely claimed by him as a Frenchwoman--was, in very
truth, Carinthia Jane, the Countess of Fleetwood, to whom Carlists and
Legitimises alike were indebted for tender care of them on the field and
in hospital; and who rode from one camp through the other up to the tent
of the Pretender to the throne of Spain, bearing her petition for her
brother's release; which was granted, in acknowledgement of her 'renowned
humanity to both conflicting armies,' as the words translated by Dr.
Glossop run. Certain it is she brought her wounded brother safe home to
England, and prisoners in that war usually had short shrift. For three
years longer she was the Countess of Fleetwood, 'widow of a living
suicide,' Mr. Rose Mackrell describes the state of the Marriage at that
period. No whisper of divorce did she tolerate.

Six months after it was proved that Brother Russett had perished of his
austerities, or his heart, we learn she said to the beseeching applicant
for her hand, Mr. Owain Wythan, with the gift of it, in compassion:
'Rebecca could foretell events.' Carinthia Jane had ever been ashamed of
second marriages, and the union with her friend Rebecca's faithful
simpleton gave it, one supposes, a natural air, for he as little as she
had previously known the wedded state. She married him, Henrietta has
written, because of his wooing her with dog's eyes instead of words. The
once famous beauty carried a wrinkled spot on her cheek to her grave; a
saving disfigurement, and the mark of changes in the story told you
enough to make us think it a providential intervention for such ends as
were in view.

So much I can say: the facts related, with some regretted omissions, by
which my story has so skeleton a look, are those that led to the
lamentable conclusion. But the melancholy, the pathos of it, the heart of
all England stirred by it, have been--and the panting excitement it was
to every listener--sacrificed in the vain effort to render events as
consequent to your understanding as a piece of logic, through an exposure
of character! Character must ever be a mystery, only to be explained in
some degree by conduct; and that is very dependent upon accident: and
unless we have a perpetual whipping of the tender part of the reader's
mind, interest in invisible persons must needs flag. For it is an infant
we address, and the storyteller whose art excites an infant to serious
attention succeeds best; with English people assuredly, I rejoi