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own with a crash, came to the ground, killing hundreds of birds beneath, forcing down other equally large and heavy groups, and rendering the whole a scene of uproar and distressing confusion. I found it quite useless to speak, or even to shout to those persons nearest me. Even the reports of the guns were seldom heard, and I knew only of their going off by seeing their owners reload them. It was past midnight before I perceived a decrease in the numbers arriving. The uproar continued, however, the whole night; and, as I was anxious to know to what distance the sound reached, I sent off a man, who told me afterwards, that at three miles he heard the sound distinctly. Towards the approach of day, the noise rather subsided; but long ere objects were at all distinguishable, the pigeons began to move off in a direction quite different from that from which they had arrived the day before. The place they choose for building their nests, is very unlike the scene of confusion the roosting place presents. There you see the tenderest affection. The birds find some forest where the trees are very high and large, and at a convenient distance from the water. To this place myriads of pigeons fly. There, in harmony and love, they build their nests with parental care. Fifty or a hundred nests, made of a few dried sticks, crossed in different ways, and supported by suitable forks in the branches, may be seen on the same tree. The two birds take turns to sit on the eggs; but the mother sits the longest. The male feeds her from his bill with the greatest tenderness, takes care of her, and does every thing he can to please her. Now it is bed-time, so good night!" End of the Project Gutenberg EBook of True Stories about Cats and Dogs, by Eliza Lee Follen *** END OF THIS PROJECT GUTENBERG EBOOK TRUE STORIES ABOUT CATS AND DOGS *** ***** This file should be named 4029.txt or 4029.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/0/2/4029/ Produced by Charles Franks and the Online Distributed Proofreading Team. HTML version by Al Haines. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without
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