gle sail. The creatures of the
deep which gather around sailing vessels are perhaps frightened off by
the noise and stir of the steamship. At any rate, we saw nothing more
than a few porpoises, so far as I remember.
No man can find himself over the abysses, the floor of which is paved
with wrecks and white with the bones of the shrieking myriads of human
beings whom the waves have swallowed up, without some thought of the
dread possibilities hanging over his fate. There is only one way to get
rid of them: that which an old sea-captain mentioned to me, namely, to
keep one's self under opiates until he wakes up in the harbor where he
is bound. I did not take this as serious advice, but its meaning is that
one who has all his senses about him cannot help being anxious. My old
friend, whose beard had been shaken in many a tempest, knew too well
that there is cause enough for anxiety.
What does the reader suppose was the source of the most ominous thought
which forced itself upon my mind, as I walked the decks of the mighty
vessel? Not the sound of the rushing winds, nor the sight of the
foam-crested billows; not the sense of the awful imprisoned force which
was wrestling in the depths below me. The ship is made to struggle with
the elements, and the giant has been tamed to obedience, and is manacled
in bonds which an earthquake would hardly rend asunder. No! It was the
sight of the _boats_ hanging along at the sides of the deck,--the
boats, always suggesting the fearful possibility that before another day
dawns one may be tossing about in the watery Sahara, shelterless,
fireless, almost foodless, with a fate before him he dares not
contemplate. No doubt we should feel worse without the boats; still they
are dreadful tell-tales. To all who remember Gericault's Wreck of the
Medusa,--and those who have seen it do not forget it,--the picture the
mind draws is one it shudders at. To be sure, the poor wretches in the
painting were on a raft, but to think of fifty people in one of these
open boats! Let us go down into the cabin, where at least we shall not
see them.
The first morning at sea revealed the mystery of the little round tin
box. The process of _shaving_, never a delightful one, is a very
unpleasant and awkward piece of business when the floor on which one
stands, the glass in which he looks, and he himself are all describing
those complex curves which make cycles and epicycles seem like
simplicity itself. The litt
|