rt of his
duty, for he was a man-of-all-work, purveyor, steward, chambermaid,--as
universal in his services for one man as Pushee at the Anchor Tavern used
to be for everybody.

It so happened that Paolo took a severe cold one winter's day, and had
such threatening symptoms that he asked the baker, when he called, to
send the village physician to see him. In the course of his visit the
doctor naturally inquired about the health of Paolo's master.

"Signor Kirkwood well,--molto bene," said Paolo. "Why does he keep out
of sight as he does?" asked the doctor.

"He always so," replied Paolo. "Una antipatia."

Whether Paolo was off his guard with the doctor, whether he revealed it
to him as to a father confessor, or whether he thought it time that the
reason of his master's seclusion should be known, the doctor did not feel
sure. At any rate, Paolo was not disposed to make any further
revelations. Una antipatia,--an antipathy,--that was all the doctor
learned. He thought the matter over, and the more he reflected the more
he was puzzled. What could an antipathy be that made a young man a
recluse! Was it a dread of blue sky and open air, of the smell of
flowers, or some electrical impression to which he was unnaturally
sensitive?

Dr. Butts carried these questions home with him. His wife was a
sensible, discreet woman, whom he could trust with many professional
secrets. He told her of Paolo's revelation, and talked it over with her
in the light of his experience and her own; for she had known some
curious cases of constitutional likes and aversions.

Mrs. Butts buried the information in the grave of her memory, where it
lay for nearly a week. At the end of that time it emerged in a
confidential whisper to her favorite sister-in-law, a perfectly safe
person. Twenty-four hours later the story was all over the village that
Maurice Kirkwood was the subject of a strange, mysterious, unheard-of
antipathy to something, nobody knew what; and the whole neighborhood
naturally resolved itself into an unorganized committee of investigation.

IV

What is a country village without its mysterious personage? Few are now
living who can remember the advent of the handsome young man who was the
mystery of our great university town "sixty years since,"--long enough
ago for a romance to grow out of a narrative, as Waverley may remind us.
The writer of this narrative remembers him well, and is not sure that he
has not told the stra