platform, and look down on his neighbor who is
exerting his talent for him, oh, it is all right!--first-rate
performance!--and all the rest of the fine phrases. But if all at
once the performer asks the gentleman to come upon the floor, and,
stepping upon the platform, begins to talk down at him,--ah, that
wasn't in the programme!
I have never forgotten what happened when Sydney Smith--who, as
everybody knows, was an exceedingly sensible man, and a gentleman,
every inch of him--ventured to preach a sermon on the Duties of
Royalty. The "Quarterly," "so savage and tartarly," came down upon
him in the most contemptuous style, as "a joker of jokes," a
"diner-out of the first water," in one of his own phrases; sneering
at him, insulting him, as nothing but a toady of a court, sneaking
behind the anonymous, would ever have been mean enough to do to a
man of his position and genius, or to any decent person even.--If I
were giving advice to a young fellow of talent, with two or three
facets to his mind, I would tell him by all means to keep his wit
in the background until after he had made a reputation by his more
solid qualities. And so to an actor: Hamlet first, and Bob Logic
afterwards, if you like; but don't think, as they say poor Liston
used to, that people will be ready to allow that you can do
anything great with Macbeth's dagger after flourishing about with
Paul Pry's umbrella. Do you know, too, that the majority of men
look upon all who challenge their attention,--for a while, at
least,--as beggars, and nuisances? They always try to get off as
cheaply as they can; and the cheapest of all things they can give a
literary man--pardon the forlorn pleasantry!--is the FUNNY-bone.
That is all very well so far as it goes, but satisfies no man, and
makes a good many angry, as I told you on a former occasion.
--Oh, indeed, no!--I am not ashamed to make you laugh,
occasionally. I think I could read you something I have in my desk
which would probably make you smile. Perhaps I will read it one of
these days, if you are patient with me when I am sentimental and
reflective; not just now. The ludicrous has its place in the
universe; it is not a human invention, but one of the Divine ideas,
illustrated in the practical jokes of kittens and monkeys long
before Aristophanes or Shakspeare. How curious it is that we
always consider solemnity and the absence of all gay surprises and
encounter of wits as essential to the ide
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