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m upon me, and how glad they are that my repose has been unbroken. When I take them from their places, how tenderly do they respond to the caresses of my hands, and with what exultation do they respond unto my call for sympathy! Laughter for my gayer moods, distraction for my cares, solace for my griefs, gossip for my idler moments, tears for my sorrows, counsel for my doubts, and assurance against my fears--these things my books give me with a promptness and a certainty and a cheerfulness which are more than human; so that I were less than human did I not love these comforters and bear eternal gratitude to them. Judge Methuen read me once a little poem which I fancy mightily; it is entitled "Winfreda," and you will find it in your Percy, if you have one. The last stanza, as I recall it, runs in this wise: And when by envy time transported Shall seek to rob us of our joys, You'll in our girls again be courted And I'll go wooing in our boys. "Now who was the author of those lines?" asked the Judge. "Undoubtedly Oliver Wendell Holmes," said I. "They have the flavor peculiar to our Autocrat; none but he could have done up so much sweetness in such a quaint little bundle." "You are wrong," said the Judge, "but the mistake is a natural one. The whole poem is such a one as Holmes might have written, but it saw the light long before our dear doctor's day: what a pity that its authorship is not known!" "Yet why a pity?" quoth I. "Is it not true that words are the only things that live forever? Are we not mortal, and are not books immortal? Homer's harp is broken and Horace's lyre is unstrung, and the voices of the great singers are hushed; but their songs--their songs are imperishable. O friend! what moots it to them or to us who gave this epic or that lyric to immortality? The singer belongs to a year, his song to all time. I know it is the custom now to credit the author with his work, for this is a utilitarian age, and all things are by the pound or the piece, and for so much money. "So when a song is printed it is printed in small type, and the name of him who wrote it is appended thereunto in big type. If the song be meritorious it goes to the corners of the earth through the medium of the art preservative of arts, but the longer and the farther it travels the bigger does the type of the song become and the smaller becomes the type wherein the author's name is set. "Then, finally,
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