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be distortions of the image; we shall frequently see projected upon each other, things that do not belong together, we shall perceive convergences at vanishing points which are to be ascribed only to perspective. I might for brevity's sake call the errors so resulting errors of superposition. The significance of this concept will, I hope, come to have still greater validity in psychoanalysis. [This error of superposition C. G. Jung attempts to unmask, when he writes: "As libido has a forward tendency, so in a way, incest is that which tends backward into childhood. It is not incest for the child, and only for the adult, who possesses a well constituted sexuality, does this regressive tendency become incest in that he is no longer a child, but has a sexuality that really no longer can suffer a regressive application." (Jung, Psychology of the Unconscious.) It may moreover be remarked that Freud also is careful not to take the incest disclosed by psychoanalysis in too physical a sense.] This error of superposition is found not only in the view backward but in the forward view. So what I, as interpreter of mystical symbolism, may say about the possible development of the soul will be affected by this error of superposition. It is not in my power to correct it. In spite of everything, the treatment of symbolism from the two points of view must be superior to the onesided treatment; in order to approximate a fundamental comprehension, which to be sure remains an ideal, the different aspects must be combined and in order to make this clear I have added a synthetic treatment to the analytic part of my work. Looking back through the elementary types, we see the infantile images together with those non-moral origins that psychoanalysis discovers in us; looking forward we notice thoughts directed to certain goals that will be mentioned later. The elementary types themselves thanks to intro-determination represent however a collection of our spiritual powers, which we have first formed and exercised at the time that the images arose, and which are in their nature closely related to these images, indeed completely united with them as a result of the errors of superposition--this collection of powers, I say, accompanies us through our entire life and is that from which are taken the powers that will be required for future development. The objects or applications change, the powers remain almost the same. The symbolism of the material
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