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the roof, the ground floor being arranged for open shops, with the principal entrance at one side. Lelieur himself is shown (as may be seen in his small view of Rouen which I have reproduced) offering his manuscript to four municipal officers seated round their council-table, with a clerk at a side-desk. The walls at the right and at the back are panelled, and decorated on the left with fleurs de lys. The third Hotel de Ville was built when the old shops of the Rue de la Grosse Horloge began to tumble down. In June 1607 the first stone was laid according to the plans of Jacques Gabriel. By 1658 Gomboust's map of Rouen shows that the facade on the street was finished. It was in the Italian style with "rusticated" blocks of stone, and had round arcades on the ground floor for shops. The building originally formed a square, and the retreating angle may still be seen northwards from the Rue de la Grosse Horloge. In the centre of the courtyard was a statue of Louis XIV.; a chapel stood at the north-east with a pyramidal steeple of wood covered with lead. A fountain was placed at the east end (no doubt supplied by the old "puits"). In 1705 the entry upon the Grosse Horloge was opened by Jacques Monthieu, just where the Passage de l'Hotel de Ville is to-day. In 1796 the whole building was sold to various proprietors for 72,000 livres. Though it is very degraded in its present state, you can still see the Doric and Ionic pilasters in couples, and the heavy circular tops alternating with triangles above the windows; and though all those parts of the decoration which jutted out have been destroyed, there is still a massive dignity about the building that would have thoroughly justified its better preservation. In any case the municipal authorities might have had some memory of the traditions of the old centre of their civic life, before they moved to the commonplace erections on the north side of the Abbey Church of St. Ouen. So, though little but the foundations remain of the original Hotel de Ville in the Rue de la Grosse Horloge, yet the stones of its successor are still there, and the belfry that rang out its messages is much more than a name; so I have thought it convenient to attach to them a few memories of the people of Rouen as they lived in the days before the great changes of the sixteenth century. In my next two chapters I shall have to pause for a moment over the English siege, and the death of Jeanne d'Arc, bu
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