It is seen in the illustration of the choir aisle given
here.

[Illustration: SOUTH CHOIR AISLE, LADY CHAPEL.
_From a Photograph by Norman._]

In the south wall is an altar tomb (42), now assigned to William
Wilton, Chancellor of Sarum (1506-23). On its cornice are shields
bearing the device of Henry VIII. and Catherine of Arragon, a rose and
a pomegranate; the arms of Bishop Audley, and those of Abingdon Abbey;
also the rebus W.I.L. and a Tun.

The monument (43) to Bishop Moberly, designed by Mr. Arthur Blomfield,
is an excellent example of the modern revival. The monument (44) to
Bishop Hamilton is also interesting as almost the last design prepared
by Sir George Gilbert Scott, and one well worthy of its author.

Next to the Hungerford iron chantry (45) is the monument (46)
ordinarily assigned to Bishop William of York, but, like many of the
bishops' tombs in this cathedral, without any certain clue to its
identity. It consists of a pointed, crocketed arch, terminating in an
elaborate finial; with a flat slab below, originally inlaid with a
brass.

[Illustration: SOUTH CHOIR AISLE, SHOWING THE HUNGERFORD
CHAPEL.
_From a Photograph by S.B. Bolas and Co._]

In the south choir transept is the very beautiful chantry (47) to
Bishop Giles de Bridport. On either side the gabled roof is carried by
two open elaborately moulded arches with quatrefoil heads, inclosing
two trefoil arches supported by clustered detached shafts. Each arch
has a triangular hood moulding, crocketed with carved finials. The
spandrils are ornamented with very interesting carvings. These have
been interpreted to mean: on the south side, the birth of the bishop,
his confirmation, his education, and possibly his first preferment; on
the north, the bishop doing homage for his see, a procession with a
cross-bearer (generally accepted as a memorial of the consecration of
the building by this bishop); his death; and finally his soul borne
up to heaven by an angel with outspread wings.

[Illustration: CHANTRY OF BISHOP BRIDPORT.
_From Britton's "Cathedrals."_]

The recumbent effigy has figures of censing angels at its head. The
whole style of this exquisite structure is akin to that of the
cloisters and the chapter house. The artists who executed the
sculptures are believed to have been contemporaries of Niccola Pisano.
A chantry was formerly attached to this monument, to the east of which
is a double aumbry, or cupboard, for