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le vibrant and intolerable gamut as the saw bit through the fibres from end to end. In the occasional brief moments of comparative silence, when several of the saws would chance to be disengaged at the same instant, might be heard, far down in the lower story of the mill, the grumbling roar of the two great turbine wheels, which, sucking in the tortured water from the sluices, gave life to all the wilderness of cranks and shafts above. That end of the mill which looked down river stood open, to a height of about seven feet, across the whole of the upper story. From this opening ran a couple of long slanting ways each two feet wide and about a hundred feet in length, raised on trestles. The track of these "slides," as they are technically termed, consisted of a series of wooden rollers, along which the deals raced in endless sequence from the saws, to drop with a plunge into a spacious basin, at the lower end of which they were gathered into rafts. Whenever there was a break in the procession of deals, the rollers would be left spinning briskly with a cheerful murmur. There was also a shorter and steeper "slide," diverging to the lumber yard, where clapboards and such light stuff were piled till they could be carted to the distant station. In former days it had been the easy custom to dump the sawdust into the stream, but the fish-wardens had lately interfered and put a stop to the practice. Now, a tall young fellow, in top boots, gray homespun trousers and blue shirt, was busy carting the sawdust to a swampy hollow near the lower end of the main slides. Sandy MacPherson was a new hand. Only that morning had he joined the force at the Aspohegan Mill; and every now and then he would pause, remove his battered soft felt from his whitish yellow curls, mop his red forehead, and gaze with a hearty appreciation at the fair landscape spread out beyond the mill. With himself and with the world in general he felt on fairly good terms--an easy frame of mind which would have been much jarred had he been conscious of the fact that from a corner in the upper story of the mill his every movement was watched with a vindictive and ominous interest. In that corner, close by the head of one of the main slides, stood a table whose presiding genius was a little swinging circular. The circular was tended by a powerful, sombre-visaged old mill-hand called 'Lije Vandine, whose office it was to trim square the ragged ends of the "stuff"
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