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roduced at the Metropolitan Opera in New York. But the old Jinx proceeded to put his No. 3 seal on de Reszke's voice that year, and he and the opera were heard from no more under the proscenium arch. * * * * * Then there was "The Mouse and the Garter," a travesty on Grand Opera in two acts that Clarence Andrews was to produce at the opening of the Waldorf-Astoria ballroom-theater. Many has been the pleasurable moment I have had in examining the old "prompt book" in use during rehearsals, for the company was picked, the scenery modeled, the costumes made and the "fancy," as Allison called it, ready to be staged, when Oscar Hammerstein, who had a contract with Andrews to transfer successes to the old Victoria Theater, blew up in one of his bankruptcies. The Jinx was again monarch of all he surveyed--and Monte-Cristo-like held up four fingers! That old "prompt book" mentioned shows the wear and tear of much use and is filled with odd notes in Allison's characteristic handwriting. No less interesting were the "Librettist's Notes on Characters in the Opera and the Business," dated October 21, 1897, and taken from an old letter-press copy that turned up in our archives. There we find that-- The general tone of the performance is to be light, gay, rapid, suggestive and delicate--without a trace of the license of current musical farce. The suggestiveness must naturally arise from the innocent freedom of village life. The whole idea is a travesty of sentimental grand opera, the vocal characters being transposed so far as their fate and actions are concerned. Good stuff! And who were these innocent villagers? Well, there was Tenor Robusto, in love with Soprano and fated to be left at the post; Tenor Di Grazia, his twin brother; Giovanni Baritono, a Soldier of Fortune; Piccolo, an innkeeper; Fra Tonerero Basso, a priest; Signorina Prima Soprano, a bar maid; Signorina Mezzo, also a bar maid, and Signora Contralto, Piccolo's wife, besides villagers, eight topers, musicians, five couples of rustic brides and grooms, and a dancing bear and his keeper. Let us not forget the mythical mouse and the ribbon from which The Garters were made, though neither appears among the "properties" scheduled by Allison. [Illustration: _Page from the old Prompt Book "The Mouse and the Garter"_] Robusto and Soprano flirted. He gave her a ribbon and she promised to mar
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