a."

The want of "rationalism" in the Greeks.

Young people cannot understand the political affairs of antiquity.

The poetic element: a bad expectation.

79

Do the philologists know the present time? Their judgments on it as
Periclean, their mistaken judgments when they speak of Freytag's[7]
genius as resembling that of Homer, and so on; their following in the
lead of the litterateurs, their abandonment of the pagan sense, which
was exactly the classical element that Goethe discovered in Winckelmann.

80

The condition of the philologists may be seen by their indifference at
the appearance of Wagner. They should have learnt even more through him
than through Goethe, and they did not even glance in his direction. That
shows that they are not actuated by any strong need, or else they would
have an instinct to tell them where their food was to be found.

81

Wagner prizes his art too highly to go and sit in a corner with it, like
Schumann. He either surrenders himself to the public ("Rienzi") or he
makes the public surrender itself to him. He educates it up to his
music. Minor artists, too, want their public, but they try to get it by
inartistic means, such as through the Press, Hanslick,[8] &c.

82

Wagner perfected the inner fancy of man . later generations will see a
renaissance in sculpture. Poetry must precede the plastic art.

83

I observe in philologists .

1. Want of respect for antiquity.

2. Tenderness and flowery oratory; even an apologetic tone.

3. Simplicity in their historical comments.

4. Self-conceit.

5. Under-estimation of the talented philologists.

84

Philologists appear to me to be a secret society who wish to train our
youth by means of the culture of antiquity . I could well understand
this society and their views being criticised from all sides. A great
deal would depend upon knowing what these philologists understood by the
term "culture of antiquity"--If I saw, for example, that they were
training their pupils against German philosophy and German music, I
should either set about combating them or combating the culture of
antiquity, perhaps the former, by showing that these philologists had
not understood the culture of antiquity. Now I observe:

1. A great indecision in the valuation of the culture of antiquity on
the part of philologists.

2. Something very non-ancient in themselves; something non-free.

3. Want of clearness in regard to the partic