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the most exact and impartial Scales. Those excellent Papers first gave me an Idea of publishing the following Sheets. Happy! if I can but any ways follow such a Guide, though at ever so great a Distance; since I am well persuaded, that by this Means I can never be totally in Error, tho' I may sometimes deviate for want of proper Abilities! Criticism in general, is what few of our Countrymen have succeeded in: In that respect, our Neighbours have got the better of us; altho' we can justly boast of the compleatest Essay on that Subject that has been publish'd in any Language, in which almost every Line, and every Word, convey such Images, and such Beauties, as were never before found in so small a Compass, and of whose Author it may properly be said, in that respect,_ He is himself that great Sublime he draws. _I would not have the Reader imagine, that I believe I have pointed out all the Excellencies in this Tragedy; I am not so vain as to think so. Besides, these Papers are too few to contain them; and I have so little of Presumption in me, that I did not think it reasonable to put my Readers to a greater Expence, by enlarging on the Subject, until I find that they themselves are not averse to it._ _This is all I have to say at present; whatever else is necessary to premise, will be found in the Introduction to the Remarks, to which I refer._ * * * * * SOME REMARKS ON THE TRAGEDY OF _Hamlet_ Prince of _Denmark_. I am going to do what to some may appear extravagant, but by those of a true Taste in Works of Genius will be approv'd of. I intend to examine one of the Pieces of the greatest Tragick Writer that ever liv'd, (except _Sophocles_ and _Euripides_,) according to the Rules of Reason and Nature, without having any regard to those Rules established by Arbitrary Dogmatising Criticks, only as they can be brought to bear that Test. Among the many Parts of this great Poet's Character, so often given by some of our best Writers, I shall particularly dwell upon those which they have the least insisted on, which will, however, put every Thing he has produc'd in its true and proper Light. He had (beyond Dispute) a most unbounded Genius, very little regulated by Art. His particular Excellency consists in the Variety and Singularity of his Characters, and in the constant Conformity of each Character to it self from its very first setting out in the Play, q
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