in stolen, and he
was obliged to buy a Nicholas Amati, for which he paid a very high
price. After playing and making a great success in Rome, he returned to
Paris, where he now found the doors of the Grand Opera open to him, and
he gave several concerts there.

In 1836 he married Felicie Villernot, the granddaughter of the lady in
whose house he had met with so much kindness during his first stay in
Paris.

Following the advice of Rossini, he went to London, where he made his
usual success, notwithstanding the intrigues of certain musicians, who
endeavoured to discredit him. Such was his popularity in England that he
received for one concert, at Liverpool, the sum of L800, and in sixteen
months' time he gave two hundred and seventy-four concerts in the United
Kingdom.

He now decided to visit Germany, and on his way through Paris he made
the acquaintance of Paganini, who greeted him with the utmost
cordiality. He went through Germany giving many concerts, and visited
Cassel, where he was now received by Spohr with every mark of
distinction. He played in Berlin, where his success was great,
notwithstanding some adverse criticism. He also played in Vienna and
Buda-Pesth, and so on through Russia. At St. Petersburg he gave several
concerts before audiences of five thousand people. He now went through
Finland and so on to Sweden and Norway, where he was feted.

Although closely followed by Vieuxtemps and Artot, Ole Bull was the
first celebrated violinist to visit America, and in 1843 he made his
first trip, landing in Boston in November of that year and proceeding
directly to New York, playing for the first time on Evacuation Day.
"John Bull went out on this day," he said, "and Ole Bull comes in." He
remained two years in the United States, during which time he played in
two hundred concerts and met with many remarkable adventures. During his
sojourn he wrote a piece called "Niagara," which he played for the first
time in New York, and which became very popular. He also wrote "The
Solitude of the Prairies," which won more immediate success.

He travelled during these two years more than one hundred thousand
miles, and played in every city of importance. He is estimated to have
netted by his trip over $80,000, besides which he contributed more than
$20,000, by concerts, to charitable institutions. No artist ever visited
the United States and received so many honours.

In 1852 he returned to America, and this time he w