bed. After a time a concession was made through the intervention of
Uncle Jens, and Ole was allowed to become familiar with the best music
of the day.
Uncle Jens used to amuse himself with the small boy's susceptibility to
music, and would sometimes shut him up in the 'cello case, promising him
some candy if he would stay there while he (Uncle Jens) played. But Ole
could never endure the ordeal for long. He had to come out where he
could see and hear.
His first violin was given him by Uncle Jens when he was five years old,
and he soon learned to play it well without any instructor. He was not
allowed to practise music until his study hours were over, and
occasional breaches of this rule kept "the rod" active.
Ole Bull's first instructor was a violinist named Paulsen, a man of
convivial temperament, who used to come and enjoy the hospitality of
Ole's father and play "as long as there was a drop in the decanter,"
with a view to educating the young artist, as he said. But Ole's parents
were thinking of prohibiting the violin altogether on the plea that it
interfered too much with his studies, when the tide of affairs was
changed by the following incident.
One Tuesday evening, Paulsen, who played first violin in the quartet,
had been so convivial that he was unable to continue. In this
unfortunate dilemma Uncle Jens called upon Ole, saying, "Come, my boy,
do your best, and you shall have a stick of candy." Ole quickly accepted
the challenge, and as the quartet was one which he had several times
heard, he played each movement correctly, much to the astonishment of
all present.
This happened on his eighth birthday, and the event marked an epoch in
his life, for he was elected an active member of the Tuesday club, and
began to take lessons regularly of the convivial Paulsen.
There is a pathetic story of how Ole induced his father to buy a new
violin for him, and, unable to restrain his desire to play it, he got up
in the night, opened the case, and touched the strings. This furtive
touch merely served to whet his appetite, and he tried the bow. Then he
began to play very softly; then, carried away with enthusiasm, he
played louder and louder, until suddenly he felt the sharp sting of his
father's whip across his shoulders, and the little violin fell to the
floor and was broken.
From 1819 to 1822 Ole Bull received no violin instruction, for Paulsen
had left Bergen without explanation, though it has been hinted th
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