Fontenelle, Montesquieu,
Mairan, Helvetius who was then quite young and present rather as a
hearer than a speaker, Marivaux and Astruc, formed the nucleus of this
clever society and led the conversation. Marmontel, who was not well
suited to this society, in which more real knowledge and a deeper
train of thought was called for than he possessed, informs us what
the tone of this society was, and speaks of their hunting after lively
conceits and brilliant flashes of wit, in a somewhat contemptuous
manner. Marmontel, however, himself admits, that he was only once in
the society, and that in order to read his 'Aristomenes,' and that
greater simplicity and good humor prevailed there than in the house of
Madame Geoffrin, in which he was properly at home.
Madame de Tencin's influence upon the new literature of the opposition
party, or rather upon the spirit of the age, may be best judged of
from the fact, that she largely contributed to the first preparation
and favorable reception of Montesquieu's "Spirit of Laws." It is
certain, at least, that she bought a large number of copies and
distributed them amongst her friends. Madame Geoffrin went further;
the society which had previously met at Madame de Tencin's, no sooner
held their reunions in her house, than she drew together the whole
literary and the fashionable world, foreign ministers, noblemen and
princes who were on their travels, etc. Marmontel also says, that the
aged Madame de Tencin had guessed quite correctly the intentions of
Madame Geoffrin, when she said, that she merely came to her house so
often in order to see what part of her inventory she could afterward
make useful.
Madame Geoffrin became celebrated all over Europe, merely by devoting
a portion of her income and of her time to the reception of clever
society. She had neither the knowledge, the mind, nor the humility of
Madame de Tencin, which the latter at least affected toward the close
of her life; she was cold, egotistical, calculating, and brought
into her circle nothing more than order, tact and female delicacy.
Geoffrin also assumed the tone of high life, which always treats men
of learning, poets and artists, as if they were mantua-makers or
hair-dressers; and which must ever value social tact and the tone
which is only to be acquired in good society, higher than all studies
and arts upon which any one possessed of these properties is in a
condition to pass judgment without having spent any tim
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