reat branches falling to the ground all
around him, "Douggie" was required to dash in and save the gallant
sheriff from turning into a cinder. Hair and eyelashes grew out again,
however, his blisters healed, and in a few days he was as good as new.
"The Habit of Happiness" was rich in stunts that would have made even
Battling Nelson turn to tatting with a sigh of relief. Five gangsters,
sicked on to their work by the villain, waylaid our hero on the stairs,
and in the rough-and-tumble that followed, it was his duty to beat each
and every one of them into a state of coma. He performed his task so
conscientiously that his hands were swollen for a week, not to mention
his eyes and nose. As for the five extra men who posed as the gangsters,
all came to the conclusion that dock-walloping was far less strenuous
than art, and went back to their former jobs.
"The Good Bad Man" was a Western picture that contained a thrill to
every foot of film. Our hero galloped over mountains, jumping from crag
to crag, held up an express train single-handed in order to capture the
conductor's ticket-punch, grappled with gigantic desperadoes every few
minutes, shot up a saloon, and was dragged around for quite a while at
the end of a lynching party's rope.
"Reggie Mixes In" was one joyous round of assault and battery from
beginning to end. Happening to fall in love with a dancer in a Bowery
cabaret, _Reggie_ puts family and fortune behind him and takes a job as
"bouncer" so as to be near his lady-love. Aside from his regular duties,
he is required to work overtime on account of the hatred of a
gang-leader who also loves the girl. Five scoundrels jump _Reggie_, and,
after manhandling four, he drops from a second-story window to the neck
of the fifth, and chokes him with hands and legs. After which he carries
the senseless wretch down the street, and gaily flicks him, as it were,
through a window at the villain's feet. As a tasty little finish,
_Reggie_ and his rival lock themselves in an empty room, and engage in a
contest governed by packing-house rules.
Three days after the combat, by the way, the company heads were pleased
to announce that both men were out of danger unless blood-poisoning
set in.
[Illustration: _Here's Hoping!_ (_White Studio_)]
"The Mystery of the Leaping Fish" was what is known as a "water
picture," and "Doug," as a comedy detective, was compelled to make a
human submarine of himself, not to mention several du
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